Word: larly
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...Harvard Business Club Treasurer Richard A. Leigh-Pemberton '95 said both organizations are simi- lar in purpose, and he is worried that theEnterprise Society might "unfairly take away ourmembers with our membership list...
Moving to New York City in 1976, he whirled through a quick succession of jobs with such big-name choreographers as Eliot Feld, Lar Lubovitch, Laura Dean and Hannah Kahn. "I didn't have a giant attention span," he says, explaining why he was so peripatetic. But that was only part of the reason. "Modern dancers are not trained to do anything but follow directions," says Erin Matthiessen, his former lover; Morris met him when they both danced in the Dean company. "Mark thought for himself." Too often, he thought aloud, arguing with the choreographers, making unwanted suggestions...
...advocate is Father Andrew M. Greeley's favorite avocation. His novels continually irritate the church he serves, by revealing Vatican politics and presenting flawed priests. The narrator of An Occasion of Sin (Putnam; 352 pages; $19.95) puts forth the most imperfect of them all. The scurrilous, irritable Father Lar McAuliffe is assigned to test the claims of sainthood for his late detested colleague, John Cardinal McGlynn, martyred in Nicaragua. Father Lar rubs his hands in anticipation -- he knows all about the Cardinal's mistress, his alcoholism and his rumored misuse of church funds. But as the priest pokes through...
...shown an affinity for classical movement. It could be a dream linking. Baryshnikov, however, doesn't think a White Oak Company is in the cards. Speaking of dancers in the group, he says, "We're a group of company leavers. Kate Johnson left Paul Taylor, Rob Besserer left Lar Lubovitch, others left Boston Ballet." Nevertheless, if the fall outings are successful, the group will tour in the spring of 1991, perhaps including Europe...
...quick to point out that, as a Dane, he brings a European view to his work. "To me America is the most eclectic country in the world," he says. He carried his quest for variety into his choice of outside choreographers: two of them -- Paul Taylor and Lar Lubovitch -- are modernists who shun pointe work. Although she has choreographed some ballet, Laura Dean is a modernist -- or post-modernist. Martins' decision is controversial; N.Y.C.B. dancers can dance decently barefoot, but why not display them in what they do best? There are some much noted omissions from the roster, including such...