Word: larrocha
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Albeniz: Iberia (complete); Navarra. (Michel Block pianist, Connoisseur Society; 2 LPs.) Enrique Fernandez Arbos' glittering orchestrations helped make El Puerto, Triana and the ten other pieces in Iberia popular throughout the world. But, as Alicia de Larrocha has proved over the years in three recordings of the suite, the piano originals are as atmospherically Spanish as one could wish and, in the end, preferable. Here is a recording by the French American Michel Block that not only challenges De Larrocha's supremacy, but topples it. Block's playing has an earthy swagger and poetic sweep that...
David Rubin, concert and artists manager at Steinway & Sons, also cites a decline in service. Two weeks ago, Spanish Pianist Alicia de Larrocha struggled valiantly with the stiff action of a Steinway at a recital near Washington, D.C., after a local dealer's technician denied her request for a minor adjustment, insisting that the instrument was in "perfect condition." Misha Dichter, 27, still smarts from the rebuff of a tuner in St. Paul who responded to his complaint about the house piano: "Listen, young whippersnapper, Liberace played it and he liked...
Bach, Italian Concerto, English Suite No. 2, French Suite No. 6, Fantasia in C Minor (Pianist Alicia de Larrocha; London, $5.98). Once best known for her exquisite interpretations of fellow Spaniards like De Falla, Turina and Granados, De Larrocha has been cutting a new Continental image for herself in recent years. That includes some scintillating Chopin and Mozart, and now this disk, which is breathtaking in its dramatic separation of contrapuntal lines, ravishing ornamentations and sheer pianistic delight...
...Seiji Ozawa. The long season (June 27 through Sept. 15) is made up of orchestral and chamber concerts, a short visit by the New York City Ballet, Daniel Barenboim's English Chamber Orchestra, a jazz-folk program and a wide selection of guest artists, including Pianists Alicia de Larrocha, Vladimir Ashkenazy, Leon Fleisher, Alexis Weissenberg and others of that caliber...
Since typecasting can be as stultifying for musicians as for actors, De Larrocha is beginning to grow uneasy about her near-total identification with Granados and Spanish musical nationalism. When she started playing at the age of two, "first it was Bach and Mozart and the wide range of the European repertory-the necessary base." Now she would like to touch that base more often in her performances, thereby securing her already considerable claim to international stature...