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Word: larseli (lookup in dictionary) (lookup stats)
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If the foreign genre wasn't dead, it was missing. Some of the best directors died (Truffaut) or retired (Bergman). Others kept working, but in the U.S. their work was shown sporadically at best. The last films Fellini and Satyajit Ray made never opened here; neither have the most recent...

Author: /time Magazine | Title: CINEMA: FELLINI GO HOME! | 10/20/2005 | See Source »

Cronenberg, a born-and-bred Canadian, looks at these questions without the didacticism and detachment of Lars Von Trier’s “Dogville,” Warner Herzog’s “Grizzly Man,” or Wim Wender’s upcoming ?...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: The Dualistic Philosophy of David Cronenberg | 9/30/2005 | See Source »

American gun love has long preoccupied and puzzled foreigners. So it's appropriate that an all-fired-up allegory on the subject, Dear Wendy, should come from perennial bad boy Danish filmmaker Lars Von Trier (Breaking the Waves), who wrote the film, and his protg Thomas Vinterberg (The Celebration...

Author: /time Magazine | Title: Movies: Sticking to Their Guns | 9/18/2005 | See Source »

Ed Boynton, 37, should be out working too. But he is perched in the wheelhouse of his 50-ft. Sissel B, entertaining his six-year-old son Lars. Sam LoGrasso's boat, the 71-ft. Italia, sits at its dock while he, just as idle, soaks up the warm summer...

Author: /time Magazine | Title: In Massachusetts: On the Beach | 6/21/2005 | See Source »

their abandoned sons. The need for parental closure drove the characters played by Bill Murray in Jim Jarmusch's Broken Flowers (which took the runner-up Grand Prix), Sam Shepard in Wim Wenders' Don't Come Knocking, and William Hurt in James Marsh's The King. A similar theme, of...

Author: /time Magazine | Title: Like Only Cannes Can | 5/22/2005 | See Source »

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