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Poetry Reading--Lars Gustafsson; Farnsworth Room, Lamont Library, 4:30 p.m.

Author: By Nevin I. Shalit, CRIMSON | Title: Nov. 19 -25 | 11/19/1981 | See Source »

Some of the brilliances are to be expected. John Bellucci as Mac the Knife, for instance, turns in a performance steaming with violence and malice, and the Weill songs, despite some weakness in the orchestra, wound and horrify as they must. But there are other, less conventional strengths, each illuminating...

Author: NO WRITER ATTRIBUTED | Title: CAST, ARCO & 3PO: The Fall Season Hits Its Stride | 10/29/1981 | See Source »

The overall conception of the production is weakened by director R.J. Cutler's difficult struggle for a compromise between the Theater of Alienation and the Theater of Empathy. While well-acted, this production of Threepenny Opera lacks a social awareness of the play's context intrinsic to the epic theater...

Author: NO WRITER ATTRIBUTED | Title: A Beggar's Banquet | 10/27/1981 | See Source »

Alfred Lars Aronson, M.D. Secaucus, N.J.

Author: /time Magazine | Title: Letters: Jun. 22, 1981 | 6/22/1981 | See Source »

Alison Taylor as Alura has a fine voice and carries herself with a swanky, haughty boredom. Together with Lars-Gunnar Wigemark as her lover Max, the two make a fine pair of oblivious, infighting villians. The U.S. Army fares a bit poorer, though, again due to the failings of the...

Author: By Thomas Hines, | Title: Armies of the Night | 4/24/1981 | See Source »

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