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...Laslo Benedek's methodical direction and Henning Kristiansen's astonishing photography-a gothic mix of melancholy blue landscapes and pale, crumbling interiors-only serve to underline the film's deficiency, the utter lack of logic. Random composition is all very well in contemporary art; in the traditional thriller, it is an unwanted and fatal guest...

Author: /time Magazine | Title: Cinema: Cute Dracula | 3/1/1971 | See Source »

right to boycott classes, it added that "if a professor cancels his class, the time should be made up." Laslo Pasztur 73. president of YAF, said privately that he would attend classes. "I'm for an end to the war," he commented, "but with honor and victory...

Author: By Nina Bernstein, | Title: Harvard Political Groups State Views on Vietnam Moratorium | 10/11/1969 | See Source »

...constitution, approved last week by the Harvard Undergraduate Council, states the organization's number-one goal is "To promote the principle of capitalism and the free market economy." Laslo Pasztor Jr. 73, group co-chairman, said yesterday he is organizing H-R YAF to "combat SDS and educate people to provide a vocal stance for conservatism at Harvard...

Author: By Michael E. Kinsley, | Title: Conservatives Open Harvard Unit Of Young Americans for Freedom | 10/3/1969 | See Source »

Make the scene? For the first time since The Wild One (1954), Hollywood has moved in for a closeup of the big barbaric motorcycle gangs of Southern California. Directed by Laslo Benedek, The Wild One was a sociological shocker that in the main effectively described a sick subculture. Directed by Roger Corman, a cut-rate master of the macabre who seems to work better with spiders than he does with actors, The Wild Angels is a sleazily synthetic retread that will probably take a long skid through U.S. grind houses. However, the film may well make a mark in Europe...

Author: /time Magazine | Title: Cinema: Varoom Without a View | 9/9/1966 | See Source »

Claude Rains, as the wary French Prefect of Police, a "poor, corrupt official" who must work with the Gestapo, cannot decide whether French or German grass is greener, and so sits between on a sharp picket fence. As Victor Laslo, Paul Henreid plays a leader of various resistance movements who has eluded the Germans once too often; his acting shows what a man tortured in a concentration camp must endure...

Author: By Walter E. Wilson, | Title: Casablanca | 4/23/1957 | See Source »

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