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...annually by the two French magazines of that name. That it won the prize merely indicates that the French are not always so gay. Neither a cheerful nor an aphrodisiac story, its flaming jacket suggests that at least it has its lickerish moments. Not so. A stout French peasant lass, Georgette Garou, knows what she wants and goes after it with few words and indomitable dignity. She wants to keep her farm, to get a husband, to have a baby. The first two ambitions she easily achieves, but with the third she has trouble. The scandal (which her fellow-villagers...

Author: /time Magazine | Title: Books: Gallic, Glum | 12/2/1929 | See Source »

Great Day. Vincent Youmans, composer of such infectious songs as "Tea for Two," "Sometimes I'm Happy'' and "Hallelujah," presents his country with several remarkable airs in this bromidic and tedious musicomedy about a Southern lass (Mayo Methot) whose ancestral mansion is sold for a gambling house. Needless to say, a comely Northerner (Alan Prior) eases her heart. Two of Composer Youman's best tunes, the lingering "Without A Song," the jubilant "Great Day," are magnificently reverberated by an Afric choir of 40 voices led by Mr. Lois Deppe. Other Youmans' melodies which will soon...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Oct. 28, 1929 | 10/28/1929 | See Source »

Even more remarkable was the statement of Mrs. Barker, the onetime Miss Alfreda Emma Howard, a country lass of Littlehampton, Sussex. She said last week that Transvestite Barker courted her "as any young man would"; and the Register of Brighton Parish Church reveals that they were married as man and wife on Nov. 14, 1923. "I am dazed, stunned!" exclaimed Mrs. Barker. "In our six years of married life I never once suspected that dear Victor was a woman too!" Mrs. Barker's father, a venerable druggist, added his affirmations of astonishment...

Author: /time Magazine | Title: Foreign News: Transvestite | 3/18/1929 | See Source »

...Only 38) and George Middleton (The House of a Thousand Candles, Potty with a Past), husband of Fola La Follette (pioneer Lucy Stoner, daughter of the late Senator "Fighting Bob" La Follette). Their goal was anti-rakish, antiseptic fun, and they achieved it. The heroine is a mid-western lass who hungers for romance and esthetics. In Venice she tumbles for an insolvent Frenchman whose family dates back to Charlemagne, who would innately prefer Santa Maria della Salute to the First Methodist. Her rubber-company father, distressed, arranges to remove the cultured Gaul to Ohio, hoping Daughter will be disillusioned...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Sep. 3, 1928 | 9/3/1928 | See Source »

...purpose of Patience, as Savoyards are aware, was to discourage with flippancies the petaled estheticism of the silly '70s. This it did by jibing at one "Reginald Bunthorne, a fleshly poet," who is pursued by twenty rapturous maidens. Patience, a simple country lass, was impersonated by Mary Bokee, ably enough, while the difficult buffoonery of the ridiculous poet was subjected to the often exceedingly apt and always enthusiastic interpretation of Donald Kirkley, a one-time journalist. The frivolous Baltimoreans did little to endanger the laurels of adroit Producer Winthrop Ames; on the other hand, their performance did little...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Jul. 9, 1928 | 7/9/1928 | See Source »

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