Word: last
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Dates: during 1960-1969
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...Middlesex District Court found John Berg guilty of criminal trespass for being inside University Hall during the protest against the Cambridge Project this September. Berg's conviction shows that the Committee of Fifteen seriously intends to compel students separated or dismissed last spring to stay off Harvard property...
...University has tried to justify bringing a criminal charge against Berg in two ways. Dean May argues that Berg's presence on Harvard property endangered the safety of University officers. James Q. Wilson, spokesman for the Committee of Fifteen says instead that when Berg was "separated" last spring the University meant to deny him both the right to register for classes and the right to associate with the Harvard community. Berg had to be kept off the campus. Wilson says, to show the gravity of his offense last year...
...those who are accustomed to watching Bill Murphy dive at the LAB, last night's performances, particularly in the one-meter, were a letdown. Springfield's Fred Laing barely beat Dick Eisenberg in the one-meter, and there was almost a bad mishap when the Chiefs' Mark Donnelly failed to get out far enough and came down just to the right of the board...
...phallic to the cenotaphic argues a change for the worse. Dirigibilis mutabilis! The new album contains two of their best songs, two of their clearest failures, a delight in light parody, and an explicit and jocular exhibitionism, verging at times toward crudity, only suggested in the earlier record. This last element is most apparent in the lurid copulative jactitation of "Whole Lotta Love." This very involved song, with its assemblage of background sounds of connubial exertion, reminds one (very hazily) of Southev's lines on the waterfall of Lodore (execrable lines but probably undeserving of such context...
...last song, "Bring It On Home," is a humorous comment on the current preoccupation of coming together. Since Led Zeppelin never left home, or wandered into the hell's kitchen of supporting orchestras and electronic accessories, they bring it on home with one last incomparably precise instrumental exposition. Plant gestures toward the return to simple instruments with a wittily languid harmonica part, punctuated by an indolent "Watch out, watch out." Their signature blend of innuendo, vaguely arrogant virtuosity, and exhilarating braggadocio return home with unexpected lightness as the harmonica quietly arrests the song with a sarcastic but still good-natured...