Word: laszlo
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Dates: during 1960-1969
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...disciplined design with which Walter Gropius refashioned architecture Laszlo Moholy-Nagy sought to extend to every visible element in the human environment. The two men had been kindred spirits ever since Gropius visited Moholy's first exhibition in Berlin in 1922, and invited the young Hungarian expatriate to join his staff at the newly formed Bauhaus. Moholy's acceptance sealed a friendship, rooted in a rare meeting of minds, that was to last until his death...
...guard rails with one twitch of her mighty hips. As her bumpy, bruised knuckles attest, she can be equally menacing with an uppercut ("I can't keep a long nail," she says). She takes her lumps too, most often from a gang of Braves led by pert Marge Laszlo, a nine-year Derby veteran who has had plastic surgery to remove the scars from a twice-broken nose...
...only in the past 40 years have sculptors begun creating works that are literally as clear and pure as air or water. Only in the past five have they successfully built them. For although plastic and glass designs were put together by Constructivist Naum Gabo and the Bauhaus' Laszlo Moholy-Nagy back in the 1920s, their results amounted to little more than experiments, designed to illustrate the constructivist tenet that space plays as vital a role in sculpture as mass. It remained for a myriad of advanced synthetics and plastics to make see-through sculpture a burgeoning art form...
...longer it takes short-hop passengers to reach their destinations. More speed, more traffic, more noise and ever bigger planes - all this means that airports must be moved farther and farther from the cities that passengers are trying to reach. As a re sult, estimates U.S. Aviation Consultant Laszlo Boszormenyi, a New Yorker fly ing to Washington in a short-range jet now actually averages only 79 m.p.h. midcity to midcity. On the Chicago-Detroit run, the pace drops to 66 m.p.h...
...kind of visual Wurlitzer, which he called the Clavilux. By moving sliding keys, he activated a battery of projectors behind a translucent screen. He became so skillful that he was able to create what he called lumia compositions-slowly evolving, shifting, glowing abstract patterns. At the Weimar Bauhaus, Laszlo Moholy-Nagy between 1922 and 1930 devised a polished metal and clear plastic Light Display Machine. But such items remained isolated curios ities. It took the 1950s and 1960s to attract a whole spectrum of artists to the medium...