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...lowest environmental footprint.” The city will be home to around 50,000 people, while another 40,000 will commute. Because cars will be banned in Masdar, all commuters must walk, ride bicycles, or use public transportation to enter the city. The panel began 20 minutes late due to technological problems. The panelists tried to include an architect in the presentation using Skype, but he could only occasionally be heard. During the question-and-answer session that followed, Sharett lauded University President Drew G. Faust for her commitment to the environment. Harvard’s eco-conscious plans...
...cardboard and old building material, torn fabric and thread, pulp serials, broken dolls and, most famously, women’s nylon stockings.Sudden acclaim for his sculpture work and the implied pressures toward more commercial artistic aims elicited a shift in Conner’s medium of choice. In the late-1950s, Conner moved toward filmmaking, bringing the same creative philosophy which had inspired his sculptures to film collages, assembled from varied and seemingly incongruous source materials. His 1958 debut, titled simply “A Movie”, is perhaps his most famous film. The work is a collage inter...
...said. “He was described as a ‘machine for living’ but it was the living that was most important to him.” Local artist and photographer Helen K. Eddy said that she was able to relate more strongly to the late architect after Weber’s talk. “My art, like that of Le Corbusier, is to express beauty,” she said. “Some artists create art to express truth, but Le Corbusier showed that truth is beauty...
...very important to act on instinct, and I try to do that,” Brown said. Though Brown’s movement has often been described as structured and geometric, she highlighted the element of improvisation that is so integral to her work. During the late 1960s she choreographed a series of gravity-defying dances now known as “equipment” pieces—in which harnessed dancers walked down the sides of buildings and on rooftops—that received little critical attention at the time. “No one knew what...
...Falling behind by 22 points in the second quarter, Harvard was overwhelmed for much of the contest. Bringing in backup quarterback Frank K. Champi ’70 near the end of the first half provided an offensive spark, but the Crimson was still far behind late in the fourth quarter, setting up the film’s climactic ending. Delving deeper than just a play-by-play, Rafferty alternates between interviews with the players from both sides and original footage of the Game while making note of the tumultuous historical events of the 1960s.In the film, former defensive back...