Word: latelies
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Dates: during 1960-1969
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Abstract & Concrete. Gilmore be gan his law career late. He went to Boston Latin and to Yale (where he was a junior Phi Beta Kappa), got a doctorate in Romance languages after writing a dissertation on the 19th century French poet Stéphane Mallarmé that is still quoted by scholars. He became a teacher almost inevitably. "If one takes Romance languages, one teaches," he says. But after four years, "I couldn't stand it any longer." At 29, he went into law "because it seemed an available thing. Soon, however, I began to find it challenging...
Having warmed himself, he is getting ready for the cold again. He has just been appointed to succeed the late Mark Howe as the official biographer of Justice Oliver Wendell Holmes-an enterprise that at the very least should win him a deservedly larger audience than Security Interests ever could...
...lone dissent, Appellate Justice Harold A. Stevens wrote: "At most, the book assumes to offer general advice on common problems," and therefore was not an attempt to practice law. Moreover, said Stevens, the court's order was a violation of Dacey's right to free speech. Late last month New York's highest tribunal, the Court of Appeals, held 6 to 1 that Justice Stevens was right, voided Dacey's fine and abolished the ban. Said Dacey, who brought a $1,500,000 libel action against the Florida bar last week for damaging statements...
...matter what school of painting happened to be ascendant in the U.S. during the postwar years, a small number of good painters continued to paint realistically. In most cases, their canvases reflected the prevailing mode. When abstract expressionism was in its heyday, such figurative painters as the late David Park and Richard Diebenkorn employed the smeary technique and turbulent palette commonly associated with Pollock and De Kooning. In the current era of cool, disengaged pop and hard-edge abstraction, a hardy band of realists has developed a cool, precise, in fact almost surgical style...
Redding would often sing in subtle opposition to the beat. In "It's Too Late," on the album "Otis Redding Sings Soul Ballads," the opening comes so close to being in disregard of the music, and yet is not quite, that somehow the sound expresses complete desolation...