Word: latelies
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Dates: during 1960-1969
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...Athens, the birthplace of democracy and often the site of its suffering, the floodlit Acropolis looked down upon a peaceful city preparing to retire for the night. Late diners strolled through the Plaka district of restaurants and tavernas, and traffic thinned to a trickle in the city's center. Then, only moments after midnight, moving so fast that it all seemed over in minutes, shadowy figures in battle dress began to appear everywhere. From barracks in Athens and all over Greece, troops slipped quietly out and took up battle stations in every key town, at every major intersection, at every...
...single politician around who would be an excellent Premier," said the King. The situation seemed saved again when Papandreou reached an agreement with the head of the National Radical Union, Panayotis Kanellopoulos. Both agreed to back a caretaker government that would carry the country through elections to be held late in May. But the Center Union Party sponsored a motion that would have assured Andreas his parliamentary immunity between the time when Parliament adjourned and the planned elections. The National Radical Union, unwilling to protect Andreas, backed out of the coalition. This time the King asked Kanellopoulos to form...
Midfielder Alan Timberlake bulled his way past four opponents in front of the goal seconds late to score the fourth Crimson tally. Jim Kilbreth closed the quarter -- Harvard's most productive period of the season on offense -- with a quick shot from the right side with less than a minute...
There cheap goals by Brown made the fourth quarter a disaster, as Harvard failed to produce the clutch scores it needed to pull out a victory. Engel, taking a great fed from Kilbreth, threw in the final Crimson goal just a minute before the gun -- but it was too late matter...
...romantic mood of Louis' paintings has a atrong kinship with the lyrical, misty spacelessness of the late paintings by Monet. In the Water Lilies, Monet produced a rhapsodic mood of ethereal spacelessness by painting abstract surfaces in which continuously changing relationships of form and color exist for themselves, in spite of some vestigial remains of subject-matter. The rich, almost voluptuous, color of the Louis paintings and the organic growth of the forms have more in common with Art Nouveau. Gauguin's rich palette and his gently curving patterns immediately come to mind. Louis' forms also suggest some affinity...