Word: lateral
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Dates: during 1920-1929
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...Papal Treasury lost heavily in Wall Street's slump (TIME, Nov. 4). According to reports, verified from several sources, U. S. public utility and steel stocks were those held. Certain parcels were sold early in the slump and most of the remainder were sacrificed at even lower prices later in the slump week. At the time the Holy See gave no sign, unless an article in the Papal daily L'Osservatore Romano could be called such. In an article flaying "Market Vampires and , Exploiters," Editor Count Dalla Torte lamented that "the fate of the great world of investors is left...
...them are still with her. Her backers included Otto Herman Kahn, Adolph Lewisohn, Ralph Pulitzer, John Davison Rockefeller Jr. She opened on a Monday night in 1926 with Jacinto Benavente's Saturday Night, gave Tchekov's The Three Sisters on Tuesday and, scorning to start gradually, added some Ibsen later in the week. The Pictorial Review Achievement Award for that year ($5,000) helped solve her financial troubles.* Since the first season her project has paid...
...year later when Pavlowa returned to Indianapolis, Ruth was taken to see her, did a toe-dance of her own composition. Pavlowa saw talent and beauty of face and body. She spoke encouragingly, advised Mrs. Page to take Ruth to Chicago to study during the summer with the Pavlowa Ballet. There followed further study in Manhattan under Adolph Bolm while the necessary general education was attended to at a suitable school for girls. Then in 1918, while Dr. Page and a son were with the A. E. F. in France, Ruth met quite by accident Victor D'Andre, husband...
...East Coast of South America, across the Andes, up the West Coast to Panama, thence to Cuba, Mexico. When she returned to the U. S., Ruth was given the leading role in John Alden Carpenter's ballet, The Birthday of the Infanta, presented by the Chicago Civic Opera Company, later in Manhattan and other U. S. cities. Engagements and prestige came fast. She was premiére danseuse of the Bolm Ballet Intime, of Irving Berlin's Music Box Revue; she danced with the Chicago Allied Arts productions in Chicago (a defunct organization then dedicated to modern ballet); for a summer...
...their police were baffled last week by an offense little short of criminal but against which there is no Paris law. One evening at the opera, Tenor Franz was in the midst of a favorite aria when out upon the stage from her box climbed a young person later identified as one Sylvia Peres of Italy. Apparently overcome by an exhibitionist impulse, she threw herself into a vigorous and not inept display of fancy dance steps. Tenor Franz stood speechless. The orchestra stopped, gaping. Mlle. Peres danced on with abandon, coming to a climax with one heel on Tenor Franz...