Word: latest
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Dates: during 1960-1969
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Divorces are hardly news in the cinema world. But when Star Alain Delon and his svelte wife Nathalie came to a final parting last week on the grounds of "serious mutual insult," a great many people found the event worthy of special note as the latest and inevitable in stallment in one of those long-running scandals that Paris so cherishes. Last week Nathalie was in Rome making a new movie, and Alain was before the cameras in Paris. For months, however, both have been the cause of a cause celebre that has everything - sex, politics, murder and decadence...
...were injured and nearly 3,500 were under arrest. Only eight days before, Moslems across the subcontinent in Calcutta, angered by what they felt was a newspaper's slur of Mohammed, exploded in a brief outburst of violence that cost five lives. The two clashes were the latest manifestations of the communal hatreds that have plagued India for generations-and are the chief obstacles to the long-cherished dream of Indian unity...
...most benighted of critics that Ingmar Bergman is an artist of massive integrity, possessing an acuity that equals that of the very best novelists and poets of our time, and a fearless honesty of both subject matter and technique that separates him from his contemporaries in film. His latest effort, Shame, and the earlier Seventh Seal very possibly could render him, along with Gunter Grass among novelists and John Berryman among poets, one of the eminences of art of this century. His new film concerns itself with difficulties of a young couple living on an island who suffer through...
...conflict, or of who is fighting whom is revealed, the conduct of the war is so painfully real, so utterly believable, that there is no necessity for explication. Shame avoids, rhetoric and relies instead upon demonstration, letting the events speak for themselves. One cannot find Bergman in his latest film, except those parts of him that are specifically general to all of us. He is mature enough to spare his viewers any murky idiosyncracies, as we sometimes see in Bunuel, and yet his firm talent shapes our understanding without fanfare or the crassness that sometimes mars Godard and Fellini...
...armies of tourists represent the first wave of a new pan-Europeanism. "The obsession of the new mass tourism is not to see a new country but to find two commodities: the sun and the sea." In Sampson's opinion, even the automobile, Europe's latest symbol of liberation and status, provides a chrome-trimmed distraction from serious subjects, including the concept of unity...