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Word: latest (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...their latest issue, Peninsula staffers took issue, not merely with abortion (the old stand-by), but contraception. In ideological terms, that's like a person wearing a sign that says, "Will Work For Food...

Author: By Benjamin J. Heller, | Title: DARTBOARD | 2/19/1999 | See Source »

...popular pharase "institutionalized racism" seems to describe nothing better than the formidable institutional machinery of race of which the "Mediation Service" is only the latest product...

Author: By Benjamin J. Heller, | Title: DARTBOARD | 2/19/1999 | See Source »

...face it, the high school caste system is not a pretty one. If you aren't amazingly thin, don't drive a convertible, don't wear the latest styles, refuse to cheerlead or don't put out, then you're just not popular. Join a traditionally geeky activity like drama club, marching band or (heaven forbid) math team, and you can also kiss any hopes of being popular goodbye. The definition of popularity has narrow parameters, ones which are difficult to attain but ever so easy to lose...

Author: By Annie K. Zaleski, CRIMSON STAFF WRITER | Title: Jawbreaker Leaves a Sour Taste | 2/19/1999 | See Source »

...shame to realize that relatively few student bands exist on campus compared to the yawn-inspiring plethora of a capella groups and orchestras. For every 500 chartreuse posters proclaiming another bee-bop doo-wop smile-and-tear fest, there may be at most one piece of paper trumpeting the latest experimentalist musical incarnation or student rock group. In general, Harvard students are content performing and interpreting compositions from oldies pop icons and classical composers, and fellow students are happy to shell out financial support to perpetuate this comfortable culture. But the number of students interested in creating music for collegiate...

Author: By Peter A. Hahn, | Title: SPACE FOR SOUND | 2/19/1999 | See Source »

Music and colors are richly interwoven in our psychology. In her latest release, Japan's Takako Minekawa draws us back to an infant's syn(th)aesthetic state where musical notes, colors, words and numbers find unity under a common sense of wonder. Armed with analog Casio synthesizer, Minekawa blends the controlled tones and rhythms of Kraftwerk (to whom she pays homage on the expansive "Kraftpark") with the delicate innocence of 60s French pop-to effects which at times echo likeminded Stereolab and 80s New Wave. Minekawa refines her music along minimalist lines, creating a childlike interplay between melody...

Author: By Weston Eguchi, | Title: Takako Minekawa | 2/19/1999 | See Source »

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