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...measures could move de facto Honduran President Roberto Micheletti to sign on to the San Jose Accord, brokered by Costa Rican President Oscar Arias, which stipulates Zelaya's restoration and immunity for the coup participants. They may also help restore President Obama's standing among Latin American leaders, who have unanimously condemned the coup, as Obama has, but who have questioned the U.S. President's commitment to matching his rhetoric with action. U.S. officials called the latest sanctions "a strong signal" that Obama has reversed Washington's historic tendency to abide if not back coups carried out against its foes...
...already been taken without the military-coup tag. But critics, who fear Obama is keeping the Honduras coup designation downgraded to mollify conservative Republicans, argue that further steps, like freezing Honduran bank accounts in the U.S., are still available to the Administration. (Read about President Obama's challenge in Latin America...
...could also find themselves in the crosshairs of their countries' overweening generals. "I think the armies and the business elites they back in those countries are watching the Obama Administration's moves on Honduras very closely," says Vicki Gass, a senior associate at the independent Washington Office on Latin America. While Gass applauds Clinton's threat to reject Honduras' November election results as a "very positive step that shows the U.S. is serious again about multilateral effort in Latin America," she fears the U.S. has "created risks in other countries" by not designating Honduras' putsch as military...
...lies at the heart of Argentinean author Julio Cortázar’s novel “Hopscotch,” one of the most beautiful, complex portraits we have of the idealism and subsequent disillusionment of that decade. Cortázar—a literary heavyweight in Latin America, associated with the prolific Boom period of the 60s and 70s—wrote “Hopscotch” in 1963, after his move to France to escape dictator Juan Domingo Perón, and its Left Bank influences are clear. In stunningly tactile prose, the novel follows...
...never heard music in my head and then I moved to New York City and started hearing it one day,” Furst says.Even for those who had focused on music during college, most had other plans. Cruz had a job lined up in Latin America after college and always thought he would do something with Latin American politics. Instead, he showed up in New York with his guitar and little else planned.Though Harvard’s resources could let them make music, there was no guidance in how to turn it into a career. “Were...