Word: latinizes
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...Crosby, the Sinatra, the Elvis of Mexico. The top-of-the-charts love ballads he sang in films sent 10 million senoritas into ecstasy; he crooned, they swooned. The movies he starred in were among the most popular in Latin America; and one, the 1948 Nosotros los pobres...! (We the Poor) is the biggest hit in Mexican film history. He anchored cowboy comedies, historical-political epics and dozens of vein-popping romantic melodramas. He played virginal student-priests (in El Seminarista -The Seminarian) and rogues who at the crack of dawn rose from a lady's bed and jumped...
...Infante was an ornament of Mexico's Golden Age (La é poca de Oro del Cine Mejicano), a two-decade stretch of potent moviemaking. While the U.S. industry was importing Latin Americans like Ricardo Montalban, Carmen Miranda, José Iturbi and Fernando Lamas, Mexican beauty Dolores del Rio left Hollywood and returned home to join such new stars as Cantinflas, Pedro Armend?riz, Mar?a Félix and Infante's friendly rival in the singing hunk sweepstakes, Jorge Negrete. Emilio "El Indio" Fern?ndez was directing movies that won international prizes, like the Cannes Palme d'Or. A renegade from Franco...
...concert recognized the nine-time Grammy Award winner’s contribution to jazz, especially for his role in the creation of the distinctive fusion of “Latin Jazz.” Palmieri appeared with Brian Lynch, his collaborator on “Simpatico” (which won the 2005 Grammy for Best Latin Jazz Album). The concert also featured performances by the Monday Jazz Band (directed by Tom Everett), the Sunday Jazz Band (directed by Mark Olson), and the Alumni Jazz Band (also directed by Everett...
...Caravan,” performed by the Sunday Jazz Band, followed the opening piece. Growing out of just bass, drums and piano, “Caravan” snaked into a full-fledged number that was emblematic of early jazz, and yet still managed to capture an exotic Latin feel...
While Palmieri did not step on the stage until after intermission, the concert was clearly all about him. José Masso, the announcer and producer of “¡Con Salsa!” a Latin music show on WBUR, opened the second half of the performance with a tribute to Palmieri. After the intermission, every piece Palmieri played was his own original composition, except for “Jazz Impromptu” which was composed by Lynch...