Word: latter-day
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Only the Soviets had thought Hess was worth guarding like a latter-day Count of Monte Cristo. British, French and U.S. authorities had long been willing to release him on humanitarian grounds. Keeping the 109-year-old prison open for one inmate was also extremely costly: West Berlin and the Bonn government spent some $1 million annually in salaries and expenses to maintain a staff of 35 wardens, cooks and maintenance men. But the Soviets were adamant, insisting that, as their late leader Leonid Brezhnev put it, "to release Rudolf Hess would be an insult to the Soviet people...
...disillusion. Still, Reagan is fighting, smiling. His standing with his people is edging up a bit. There will be dining and toasting and travel, a just rite of exit. But the power is palpably fading. It is being gathered up in strange little places like Greenfield, Iowa, where the latter-day populist Jesse Jackson tramps through the cornfields, and Campton, N.H., where Massachusetts Governor Michael Dukakis sounds native...
Fashioning himself a latter-day Oscar Wilde, Orton's artistic goal is nattily summed up in the picture's title. Taken from an uncompleted Orton script, it states exactly what Orton wanted to give his audience in plays such as Entertaining Mr. Sloane, Loot and What the Butler Saw. Through shock, Orton sought to shake up British society. We are given a hint of the stuffy British upbringing Orton received, but too little a taste of Orton's literary product. A snatch of dialogue here or there doesn't convey the playwright's reputed genius. We have to take...
Avoiding his hits, Costello made few mistakes indeed. The show was highlighted by some well-chosen medleys, combining Costello originals and covers, with the latter enhancing and illuminating the former. The attachment of "Not Face Away" to "Uncomplicated" revealed Costello as a latter-day Buddy Holly who goes to meet Peggy Sue with lexicon in hand. His interpretation of Van Morrison's "Jackie Wilson Said" gave an easy swing to its companion, "Radio Sweetheart." And the way that the Beatles' "Hide Your Love Away" flowed out of "New Amsterdam" clearly displayed the desperation that inspired the Costello original...
...present at all, while sequencers and keyboards define the song structures. "The Point of Collapse" is built around a synthesizer riff of which Depeche Mode would be proud, while "Ahead" mines the dance-rock territory of New order. The menacing "Feed Me" follows the style of latter-day quasi-industrialists SWANS without achieving the genuine horror of the latter's aural experiments. All the above-mentioned bands have each achieved their own niche in modern music. In comparison, Wire's avant-garde...