Word: latter
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Dates: during 1920-1929
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Captain A. E. French '29 was taking things easy yesterday and his place in the lineup was filled alternately by A. W. Huguley '31 and T. W. Gilligan '31. The latter's passing was on the whole the best seen all afternoon, and the rumor that he will figure in a backfield shakeup before the end of the week persisted as strongly as ever...
...Fiesta" centers about the exciting revolution against Diaz in the latter part of the last century, and is colored with romance. Class rivalry between peons and old aristocrats and the three-cornered political antagonism among mestizos, creoles, and peninsulars, or half-breeds, native whites, and old Spaniards, furnish the historical background of a fast-moving plot...
...game, although loosely played, was exciting all the way through, being characterized by many long runs and forward passes. The passing combination of T. H. Peirce '31 and R. B. Covel '29 worked well, with the latter on the receiving end. Robert Gilmor '31, who was the individual star of the game, made the third touchdown on a brilliant 35 yard run. T. H. Morris '29 made the fourth tally on an off-tackle play. G. L. Lewis '30 kicked two of the points after touchdown...
Americana. The U. S. has many peculiarities, some of them absurd. Among the latter, it would appear, are business conventions, talkies, the beds in railroad cars, Chicago schools, the faces of taxi-drivers, women temperance addicts, Will Hays, subways, Roxy's cinemansion, and Gene Tunney. All of these, J. P. McEvoy, who wrote Show Girl, snubs with villainous though somewhat protracted gaiety in this speedy second edition of his famed revue...
Revues also have many peculiarities, some of them absurd. Among the latter are somewhat naked chorus girls, most burlesques of Strange Interlude, Frankie and Johnny contortionists, and the later works of Roger Wolfe Kahn. These J. P. McEvoy does not snub...