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...boisterous scene of villagers and farmers flirting and drinking, choreographed by Vinita B. Andrapalliyal ’09, and the “Modern,” choreographed by Ravi K. Manglani ’08 and Amy A. Skaria ’10. The latter was a polished fusion of traditional and modern moves set to a funky South Asian beat...

Author: By Alexandra A Mushegian, CONTRIBUTING WRITER | Title: ARTSMONDAY: 'Ghungroo' Full of Lively Grace | 3/4/2007 | See Source »

...trying to stop the government from rewriting history," says director Nancy Tong, whose 1992 Nanjing documentary In the Name of the Emperor helped inspire Chang's book. Indeed, Japanese activists helped track down the former soldiers interviewed in Tong's movie and in Nanking, and provided some of the latter film's most disturbing footage: former members of the imperial army's Yamada Unit candidly discussing their detachment's execution of some 20,000 Chinese prisoners in Nanjing...

Author: /time Magazine | Title: Haunted by History | 3/1/2007 | See Source »

YouTube stirred enormous buzz with its growing video community last year, and Zennstrom and Friis, who had no formal business plan, faced a quandary early in the project's development. Should they chase the user-generated-content train or go after video of a different kind? They chose the latter path, despite the dollar signs dangling from YouTube. Given the fortunes Zennstrom and Friis had already accumulated, they could afford to gamble on the venture, which they have largely funded on their own. "They're cutting edge, passionate and aggressive," says Lucas Mann, co-founder of MusicNation, an artist-development...

Author: /time Magazine | Title: 50,000 TV Channels! The Skype Guys Strike Again | 3/1/2007 | See Source »

Furthermore, such action defies a judgment by those experienced in dealing with children’s literature—the Newbery Medal committee. Their opinion should have more weight than those of librarians, yet the latter are clearly giving themselves the benefit of the doubt...

Author: By Ronald K. Kamdem | Title: Not So Lucky | 3/1/2007 | See Source »

...level. Even after the film’s climax, Fincher toys with the audience’s senses. The tone swings from frightening heights of brutality to the frustrating reality that he’s still on the loose while police sift through the motions of bureaucracy. In this latter tone, Fincher proves he can make you cringe without blood being spilt. Stylistically, “Zodiac” embodies the directorial elements that made Fincher famous: marvelous cinematography, humorous dialogue, fast-paced scenes, and period music. “Zodiac” was made to scare its audience...

Author: By Andrew Nunnelly, CRIMSON STAFF WRITER | Title: Zodiac | 3/1/2007 | See Source »

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