Word: latterly
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...centerpiece of the show, both physically and metaphorically, is a pair of epic paintings, The Second of May and The Third of May. The latter, focusing on a white-shirted guerrilla with his arms stretched out in terror before a firing squad of French soldiers, is a classic of anti-war iconography, often interpreted as a 19th century take on the biblical theme of the slaughter of the innocents. The painting has been displayed before alongside The Second of May, a depiction of the previous day's battle, in which Spanish militias viciously attacked Napoleon's Mameluke soldiers...
...sure what is going happen," he says of the Eldorado kids. "I think we will have multiple outcomes, some children will want to stay out, some will go back." Half of the Branch Davidian children returned to the group, but those kids were less homogeneous than Fundamentalist Latter Day Saints (FLDS) children: They were more traumatized and many were relative newcomers to the Davidian way of life. Says Perry: "With the FLDS most of them grew up with these beliefs, there's a multigenerational worldview and they are much more socialized [to the FLDS lifestyle...
...from log cabin homes, looking questioningly into nowhere as they were led from their polygamist enclave into a secular world they have always been taught to fear. They sang hymns as they were driven away along with 139 adult women from Eldorado's Fundamentalist Church of Jesus Christ of Latter Day Saints, a renegade branch of the Mormon faith...
...stories are letdowns. “That Room” comes right after Wolff’s old thriller “Bullet in the Brain” and sorely disappoints, precisely because it doesn’t have the subtle simplicity of the other. The latter is rhythmic and nuanced, focusing on the main character’s queer sense of humor rather than the gun-pulling action. In contrast, the new story is stuffed into kitschy, reductive binaries: life versus death, Hispanic versus white.“Her Dog” isn’t a letdown because...
...incarnations is never clearer than on the back-to-back versions of “Remember When,” coyly labeled “(Side A)” and “(Side B)”: the former is a slow, quasi-psychedelic wash, while the latter is the echo of the old guard—a blistering, electroshock guitar blast virtually untouched by Danger Mouse. Quite frankly, it’s all the better for being left alone.But that’s the exchange “Attack & Release” makes: innovative song craft...