Word: latters
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Dates: during 1950-1959
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Although the Cambridge Center for Adult Education hardly resembles a latter-day Platonic academy, neither is it a refuge for dilettantes. Most of its members are young women with husbands in graduate schools; some are retired persons, and a few are undergraduates at Harvard or Radcliffe. As the catalogue puts it, "Ages range from 18 to 80," and the range of 10-week courses covers a comparable expanse...
...comic roles and in some of the serious ones, the Russians make humorious Italians. Against Katya Luchko's fine Viola, Anna Larionova is a rather large Olivia. As Duke Orsino and Sir Toby Belch, V. Medvediev and M. Yanshin are, respectively, stolid and solid. In a funny role the latter is very funny. The rest of Sir Toby's circle is just as good. Sir Andrew Aguecheek (G. Vipin), Maria (A. Lisyanskaya), the clown (B. Freindlich), and Fabian (S. Filippov) conspire wonderfully with their hands, grunts, and songs as well as their (Russian) words. Though his role loses depth...
Dartmouth's strong points are Van Riper, a good infield, and its leading hitter, Captain George Becker, the shortstop. Poor hitting and erratic outfielding were responsible for Green losses to Cornell and Holy Cross, the latter a team that the varsity beat 3 to 0 earlier in the season...
...latter view is clearly wrong. Freud never expected his technique of therapy to be employed to blind men to the reality of their lives. He never hoped for anything more than a relative freedom from neurotic shackles. The therapist is not a switch-puller, but as an aid to the exploration of the unconscious...
...Gohr, who was responsible for direction, choreography, sets, and costumes, handled her job with finesse. Poor Macdonald was meek and shy, as he should have been, while Cortright made a most dauntless limey sailor. At times the latter was slightly unconvincing, but his singing and a fine first act dance made up for any acting deficiency. Miss Petersen never could make up her mind what man she should marry and Loomis was mad as a hatter. Victor Altschul, Chester Hartman, and Alison Keith all added convincing Gilbert and Sullivan acting techniques to the production. Musical arrangements by pianist Richard Friedberg...