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...consequences. Get Out of Your Mind & Into Your Life illustrates that unreliability by quoting a 1998 Psychological Science study in which 84 subjects were asked to hold a pendulum steady. Some were told not only to hold it steady but also not to move the pendulum sideways. But the latter group tended to move the pendulum sideways more often than the group told merely to keep it steady. Why? "Because thinking about not having it move [sideways] activates the very muscles that move it that way," Hayes and Smith write. To be sure, cognitive therapy doesn't ask people...
...propaganda.” In fact, it is quite the opposite. Drawing from scholarly research by P. M. Taylor, the main difference between art and propaganda is not that hard to spot: the first does not advance any particular course of action to change the status quo. The latter, on the other hand, presents a problem and also the supposedly ideal behavior for audiences to follow...
...feisty rendition of Brahms’s “Vergebliches Ständchen,” (“Lovers’ Quarrel”) by Laurence H. S. Coderre ’07. Soprano Katie Alexandra Woolf, the assistant conductor of RCS, assumed the stage for the latter half of the recital, bringing the audience into the twentieth century with songs by Francis Poulenc and Dominick Argento. Exuding charisma and charm, she switched in and out of her many roles with graceful composure, one minute a glass bottle frustrated with its childless condition, the next a moon-struck...
...home, raising a bit of skepticism around the league about whether the Tigers’ turnaround was a result of the beneficial schedule or a sign of a young team finally beginning to grasp the complexities of the Princeton offense.The folks in Cambridge seem to be leaning toward the latter explanation.“Even when they were getting blown out by everybody, we were always like, ‘they’re still Princeton,’” senior swingman Michael Beal said. “They’re still a threat, regardless...
...Eric L. FritzCat Power“Living Proof”Film symbolism comes in two forms: the indelible images of the true auteurs and the bumbling scenes of the faux artistes. Director Harmony Korine’s work in “Living Proof” is of the latter variety, suffocating a graceful song.Korine’s attempt to make a surrealistic feminist document begins with a pseudo-parody of the modern hip-hop video, as a baggily clothed black man bounces his hand next to Cat Power’s Chan Marshall and points at his car?...