Word: laudis
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VERDI: FOUR SACRED PIECES (Angel). Just before he wrote Falstaff at 79, Verdi composed the Ave Maria and Laudi alia Vergine Maria; he finished the Te Deum and Stabat Mater at 83. Together they make a magnificent and devout peroration to the lifework of a man who was a freethinker in his youth. The Te Deum includes a most urgent prayer, and Verdi asked that the music be buried with him. Carlo Maria Giulini leads the Philharmonia Orchestra and Chorus (240 voices) in a stereophonic recording that matches the soaring splendor of the music...
...works lacked clarity and precision, and tone quality was on the shaky side. They improved later in the program, but the zestful, well-disciplined Radcliffe group still stole the show. G. Wallace Woodworth led the chorus in a rather dull religious song by Mendelssohn, followed by Verdi's striking Laudi Alla Vergine Maria. Based on a section from Dante's Paradiso, the latter's style is far removed from the broadly lyrical writing of the most popular operas. There is a restraint here that makes its sacred quality all the more effective. The chorus sang with great delicacy...
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