Word: laufman
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Dates: during 1930-1939
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...with the Hearn funds. Already on view were such old hands as Edward Hopper, Bernard Karfiol, Max Weber, Louis Eilshemius, Augustus Vincent Tack. For the first time appeared equally well-known George Biddle, William Glackens, vigorous, self-taught Joe Jones of Missouri, Henry Botkin, Robert Brackman, Alexander James, Sidney Laufman, Henry E. Mattson, Paul Sample, Louis Bouche. Showgoers lifted most surprised eyebrows when they beheld Doris Lee's Catastrophe, which showed a Zeppelin in flames over Manhattan, its passengers drifting earthward in parachutes (see cut). Working in arty Woodstock, N. Y., Mrs. Lee finished her fantasy long before...
...must protest your incomplete reporting on "Art" in the March 22 issue, or weren't all the returns in when you went to press? You make no mention of who won the other $700 prize given by the National Academy of Design, which went to Sidney Laufman of New York for the best landscape by an American born painter...
Because of his unwillingness to publicize himself in any manner whatsoever, Mr. Laufman is not nearly so well-known as his work would merit. Unassuming and modest to the Nth degree, he did not even wish to submit a painting to the National Academy show, and did so only at the insistence of Milch Galleries which handles his work...
With all due respect to those painters who are known from coast to coast-both through ability and through constant publication of their names -Sidney Laufman is considered by a number of critics one of the finest landscape painters working in this country today. EDITH LODER GOULD...
...able Painter Laufman, all credit for his Altman prizewinning landscape The Farm. TIME lacked space to report both awards, considered Adman-Artist Charles Stafford Duncan's Girl in Black more newsworthy...