Word: laughingly
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
Kerr is entertaining, but his casual, anything-for-a-laugh approach can only confuse his less-experienced students. He never uses a measuring cup and knocks Fanny Farmer for her chemistry-class precision. But how are his viewers going to know that a Kerr "short slurp" equals one fluid ounce or that "one glug" means one and a half? Julia Child, appalled by his use of canned asparagus and packaged ham slices, writes his program off as "a desecration of fine cooking." He is producing "a personality show or a ladies' show," she says. "He's a tall...
...just as we have not forgotton those days just before the Twist, Broadway has not forgotten the success of Bye, Bye Birdie. New York producers seem to have remembered that this Charles Strouse-Lee Adams musical found favor not only with parents who wanted to laugh at their crazy children, but with the very subject of satire as well; the kids liked Strouse's mock-pop rhythms. And now, much later, we (and our parents) are being asked to like Broadway packages of our new culture...
...reader to identify with Portnoy (although, his experience isn't so ethnic that it lacks any larger application). Rather, Roth sets the reader beside Dr. Spielvogel. "Moral: nothing is never ironic," Portnoy tells us. We are then asked to put his joke into context. We must decide whether to laugh--the immediate response--or whether to be appalled by the self-deprecating clown who performs before us. Spielvogel solves the problem by answering with a single, ambiguous one-liner. Roth--after the 275 page monologue of Portnoy's Complaint-- calls it Spielvogel's "PUNCH LINE." It isn't funny...
...amusingly and yet so crassly about sex since Henry Miller. How does Roth do it? It is no secret that laughter is one of man's best defenses against those things that embarrass and terrorize him. Neither is it a secret that those who can make us laugh the loudest are often the most embarrassed and terrorized...
Director Terence Young brings a stuffy, stilted style to the proceedings that's always good for a laugh between the lines. The players miraculously managed to keep straight faces throughout, although Miss Deneuve carries this to excess by freezing into an astonishing replica of Grace Kelly at her most glacial. As Omar moans appropriately, "I have no authority. I'm just the puppet prince." It shows...