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...Some of the leads in his movies dwell in a state of barely suppressed panic (Carell, Cera); but most are guys comfortable in their own skin, however flabby or unsightly it may be. I'm not good-looking, the Rogen-Hill-Segel men say, but I can make people laugh. And in a comedy, funny is sexy. Rudd hasn't that gift (as is obvious in the video-game riffing he does with Rogen in Virgin: his younger partner is way ahead of him). He's stranded in Apatow-land, but he ought to connect with at least some...

Author: /time Magazine | Title: I Love You, Man: A Final Bromance? | 3/20/2009 | See Source »

...fist fights and a scene of turbo-puke of an intensity not seen since Linda Blair went all demonic in The Exorcist. Its agenda is that Peter can't be a man until he has a soul-dude. But this is essentially a comedy of social embarrassment; the laughs come at the expense of Rudd and any male who squeamishly sees some of himself in Peter. Rudd's performance is an acutely off-key symphony of lame rejoinders, wildly inappropriate ethnic accents and pathetic attempts at bonhomie. If the movie wants its audience to laugh and cringe simultaneously...

Author: /time Magazine | Title: I Love You, Man: A Final Bromance? | 3/20/2009 | See Source »

...After a pause, he corrects himself with a laugh: "You know what, by saying that I'm almost sure I'm falling prey to all these biases. That's the nature of these biases. They don't go away just because you know about them...

Author: /time Magazine | Title: How to Predict What You'll Like? Ask a Stranger | 3/19/2009 | See Source »

...Roberto Bolaño's 2666, in November. You can recognize them by their seriousness of purpose, their wild overestimation of the reader's attention span and their interest in physical violence that makes Saw look like Dora the Explorer. It's as if these European writers are laughing at their prim American counterparts, with their fussy scruples, the way Sudanese warlords laugh at American gangsta rappers. "Violence?" they seem to say. "War? What do you know about it, mon semblable, mon frère? You've been a country for 200 years. We've got 30 centuries of blood...

Author: /time Magazine | Title: The Good Soldier | 3/19/2009 | See Source »

...always wanted to be standing next to Ron between takes. He was either going to make you feel good about the work you were doing, or he was going to make you laugh--but usually both. He was always what we called a "generous actor"--someone who's there for the piece and not for himself...

Author: /time Magazine | Title: Ron Silver | 3/19/2009 | See Source »

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