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...they'd just moved in." So begins the shaggy-mammal story The Maid and the Mouse and the Odd-shaped House (Dodd, Mead; $9.95). Told in rhyme as infectious as the prescriptions of Dr.Seuss, the tale comes complete with the kind of conclusion that dissolves children in laughter at every telling. The house, it turns out, is more than odd-shaped, it is cat-shaped, complete with legs, whiskers and a roar that does not abode well for either occupant. Paul O. Zelinsky draws backgrounds with a studied eccentricity that recalls the works of '20s artists...

Author: /time Magazine | Title: Books: A World Charged with Miracles | 12/21/1981 | See Source »

...Laughter is no laughing matter in this play. In between one-liners and running gags, the characters on the stage of Broadway's Lyceum Theater shout and scream at one another. Their confrontations contain a sly malice, suppressed rage and maddening frustration. As comedy, Grownups is scar-tissue deep...

Author: /time Magazine | Title: Theater: Scar Tissue | 12/21/1981 | See Source »

...take with Third World leaders at the North-South conference in Cancun. But Secretary of State Alexander Haig then asserted: "I've got one last change to make." Meese replied, deadpan: "No, Al, we're not going to take out the words 'the President.' " Even Haig joined in the laughter...

Author: /time Magazine | Title: The President's Men | 12/14/1981 | See Source »

...strange breed of show that provokes laughter, applause, foot-tapping and even a standing ovation and still, beyond a doubt, flops. Purlie, Leverett House and Black CAST's current offering, offers just such an enigma. This rambunctious musical comedy about race relations in the last-1950s South had a respectable Broadway run and has since bubbled cheerfully on numerous regional and school stages. Purlie's infectious and vigorous score, its complement of genuinely funny lines ("College ain't so much where you been as how you talk when you get back") and its unassailable but not over-bearing message...

Author: By Amy E. Schwartz, | Title: Purlie's Paltry Persuasion | 12/10/1981 | See Source »

Half an hour late, Poet Anne Waldman rises to introduce the aging enfant terrible, now 55. She arouses the crowd to nostalgia for dissent with the code language of the antiEstablishment. She describes Ginsberg as a product of "postwar materialist paranoid doldrums." She proclaims, to the audience's laughter, that Howl was "written while Allen was living on unemployment compensation...

Author: /time Magazine | Title: In New York: Howl Becomes a Hoot | 12/7/1981 | See Source »

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