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Word: laughters (lookup in dictionary) (lookup stats)
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...EVEN cooler, Miami night. Cars slither up and down Collins Avenue, making those whoosh sounds that cars seem to make only when there is a beach nearby. Inside, big flower arrangements, place-cards, mounds of chicken liver, egg rolls, glasses clinking, uncles running around flashing Instamaties, loud laughter, embraces...

Author: By Frank Rich, | Title: NOTES ON A CELEBRATIONMoon Over Miami | 12/9/1970 | See Source »

...woman yells out, "I was born" Laughter and cheers...

Author: By Frank Rich, | Title: NOTES ON A CELEBRATIONMoon Over Miami | 12/9/1970 | See Source »

...raiders came through virtually unscathed, Laird was not so lucky when he appeared before the Senate Foreign Relations Committee early last week. The hearing room resounded with laughter when he told Chairman William Fulbright: "The intelligence in this mission was excellent." It was?but only up to the crucial point of whether or not prisoners were still at Son Tay. "Obviously the raid wasn't successful because of faulty intelligence," said Vice President Spiro Agnew from Palm Springs where he was golfing. Laird's only explanation was feeble: "We have not been able to develop a camera that sees through...

Author: /time Magazine | Title: Nation: Acting to Aid the Forgotton Men | 12/7/1970 | See Source »

Sick Circus. Alfred Jarry was the kind of humorist for whom laughter was a rictus; he dug for the cheek nerves with an awl. The first word of his first play-Merdre! as Jarry spelled it-discovered obscenity as a lisping child star and launched her on her modern stage career. That was 1896; Jarry was 23. His egg-shaped Père Ubu of monstrous honesty, the grotesque Dr. Faustroll with his science of 'Pataphysics and his Caesar-Antichrist are the collective grandparents of the theaters of cruelty and the absurd. As Jarry lay dying...

Author: /time Magazine | Title: Theater: The Paris Season | 12/7/1970 | See Source »

...rich peasant who has married above himself, is cuckolded by his wife and humiliated by her pretentious petty-noble parents. In the bones of every 17th century comedy of manners, sophisticated or crude, there aches a bitter social criticism. Director Jean-Paul Roussillon has made farce into a quicklime laughter that burns to those bones. It is the paradox of modern directing to play a villain for his sympathetic qualities (as Stanislavsky counseled his actors); to play tragedy with a light touch; above all to play comedy straight. The maxim has worked trenchant revelation with English Restoration comedy; with Moli...

Author: /time Magazine | Title: Theater: The Paris Season | 12/7/1970 | See Source »

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