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Word: laughtons (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...Scotland Yard and George Radfern, Playwright Priestley and his audience. As Radfern, Edmund Gwenn, oldtime British trouper who had not been in the U. S. for 13 years, turns in a magnificent performance. He received the biggest armful of critical laurels given any British male theatrical visitor since Charles Laughton (TIME...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan: Jan. 28, 1935 | 1/28/1935 | See Source »

...take this final opportunity. Those who saw Miss Cornell's performance can go without fear that they will be too greatly disappointed, for in the screen version the emphasis has been shifted from Elizabeth Barrett to her harsh, perverted father, and although Norma Sheerer is no Cornell, Charles Laughton as Edward Moulton-Barrett is convincing enough for anyone...

Author: By R. C., | Title: CRIMSON PLAYGOER | 11/26/1934 | See Source »

...Charles Laughton was still giving a fine performance when we dropped in to see him a second time Saturday. His portrayal of the domineering father whose failure in marriage has convinced him of its futility for his children, comes through his facial expression to a large extent. No one can watch those lips utter "Do you hear me" without being impressed by their sensual cruelty. They contain the story of sexual repression which has asserted itself in a possessive love of his daughter, Elizabeth, which amounts almost to sadism...

Author: By A. A. B. jr., | Title: CRIMSON PLAYGOER | 10/13/1934 | See Source »

Loew's State: "The Barretts of Wimpole Street"--just about the best effort of the year and one which definitely should be seen. Charles Laughton, Norma Shearer and Frederic March all excellent, especially Laughton...

Author: NO WRITER ATTRIBUTED | Title: Merry-go-Round | 10/2/1934 | See Source »

...Charles Laughton was still giving a fine performance when we dropped in to see him a second time Saturday. His portrayal of the domineering father whose failure in marriage has convinced him of its futility for his children, comes through his facial expression to a large extent. No one can watch those lips utter "Do you hear me" without being impressed by their sensual cruelty. They contain the story of sexual repression which has asserted itself in a possessive love of his daughter, Elizabeth, which amounts almost to sadism...

Author: By A. A. B. jr., | Title: THE CRIMSON PLAYGOER | 10/1/1934 | See Source »

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