Word: laundress
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...with columns in different styles...negroes in old clothes...rosy white children in black arms, charabancs or omnibuses drawn by mules, the tall funnels of the steamboats towering at the end of the main street... Everything is beautiful in this world of people." But, he typically added, one Paris laundress with bare arms "is worth it all for such a pronounced Parisian as I am." In any case the outdoor glare pained his weakening eyes, which is why all his paintings from New Orleans are either interiors or portraits. He never painted the black women whose appearance struck...
Sarah Breedlove was born on a cotton plantation near Delta, La., in 1867. Orphaned at age 7, married at 14, widowed at 20, Breedlove earned a subsistence living as a laundress in St. Louis, Mo. Seeking to supplement her income--and cure her case of alopecia, or baldness, commonly suffered by black women at the time because of scalp diseases, poor diet and stress--Breedlove became an agent for Annie Turnbo Pope Malone's Poro Co., selling its "Wonderful Hair Grower." Realizing the potential of these products, Breedlove took her daughter and $1.50 in savings to Denver, married her third...
...after working as a laundress for 75 years, she donated $150,000 to the University of Southern Mississippi for scholarships for black students...
There was a wonderful story in the newspapers this month about an 87-year-old black woman in Hattiesburg, Mississippi, named Oseola McCarty. Working all her life as a laundress, never marrying, living very plainly, McCarty managed to save an astounding $150,000. Facing life's end, she has decided to give the money to a scholarship fund for black students to attend the University of Southern Mississippi. Inspired by her example, Hattiesburg business leaders have pitched in an additional $150,000. The first beneficiary of McCarty's largess has "adopted" her, and vows to help the heroine through...
Mainly (though some panels are weaker than others) the style gives the pictures an infrangible gravity, as in No. 57, The Female Worker Was Also One of the Last Groups to Leave the South, with its single figure of a laundress in a white smock, stirring a vat of fabrics -- blue, black, yellow, pink -- with her pole: a dense and well-locked composition, suggesting the permanence and resistance that form one of the underlying themes of Lawrence's great series...