Word: laura
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Dates: during 1970-1979
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...girl of the title role (Laura Esterman) is a shtetl beauty, eyed from afar by the local shlemiel, Alchonon (F. Murray Abraham). Teibele loathes her admirer - until he appears in her bed room in the guise of a demon. Under the stars they become lovers, while under the sun they remain strangers, until the night creature persuades his lady to marry Alchonon. But with the public union come private agonies: the alchemic force disperses, leaving two ordinary people who plunge into insanity and sorrow...
...pictures of himself and one of his wife Laura. The menu and program for a lavish dinner the Tennessee Army veterans held at the Palmer House and the entire seating plan. An 1868 reunion ribbon, some handwritten notes, two pieces of wartime paper money. One memento to his future heirs was sealed with red wax and carefully labeled: "Cigar given to John McNulta by General U.S. Grant, November 14, 1879, must not be opened for 100 years and then smoked by some one of the descendants or by some soldier who has rendered good service to his country...
...Laura Gordon Fisher, senior tutor of Eliot House, says she has handled several cases, observing although she hasn't had very many cases, "that doesn't mean it doesn't go on." As a senior tutor for seven years, Fisher recalls a time when "one didn't hear very much about it, at least not in the senior tutor's office." Fisher says she believes setting up an official channel is useful, if only because it establishes that sexual harassment is a recognized problem...
...threatened with nonpayment if its members dared live up to their reputation for dropping acid. Yet even the performers were aghast at the drugs being passed around by the local students. The usual tales of suburban wife swapping, alcoholism, mental illness, divorce and suicide seem intensified by isolation. Laura Fermi, widow of Physicist Enrico Fermi, once described the genesis of the town's problems: "We were too many of a kind, too close to one another, too unavoidable even during relaxation hours...
...Laura Antonelli is such a straightforward and cheerful girl, neither brazen nor falsely modest when called upon to shed her clothes, the high point, of course, of all her movies. So it seems a shame to place her in the lugubrious context of a picture like The Divine Nymph. The film is yet another period piece, this time set in Italy during the 1920s. One be gins to wonder if the people who produce Antonelli's movies are under the impression that so lush a lady simply cannot be accepted in a contemporary context. Or it may be that...