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Michael (Thomas Calabro), newly divorced from his wife Jane, is being blackmailed by Jane's conniving younger sister, Sydney (Laura Leighton). Sydney knows that Michael is hiding evidence that he was driving drunk the night of a car accident that killed his girlfriend. Sydney moves in with Michael, prints up wedding invitations and forces him to marry her, even though he hates her guts...

Author: /time Magazine | Title: TELEVISION: The Young and the Senseless | 3/28/1994 | See Source »

...Donnelly, Ann M. Simmons Rome: John Moody Istanbul: James Wilde Jerusalem: Lisa Beyer Cairo: Dean Fischer Beirut: Lara Marlowe Nairobi: Andrew Purvis Johannesburg: Scott MacLeod New Delhi: Jefferson Penberthy Beijing: Jaime A. FlorCruz Southeast Asia: William Dowell Tokyo: Edward W. Desmond, Kumiko Makihara Ottawa: Gavin Scott Latin America: Laura Lopez...

Author: /time Magazine | Title: Time Magazine Masthead | 3/28/1994 | See Source »

Writer-director Collard plays Jean, a bisexual filmmaker determined to keep searching for truth -- and partying hard -- in the face of death. He * vacillates between Samy (Carlos Lopez), a rough-trade Spaniard, and Laura (Romane Bohringer, recently seen illuminating The Accompanist), a would-be actress. Jean wants to have safe sex with Laura, but she will let no condom come between them. Ever the gent, Jean obliges...

Author: /time Magazine | Title: CINEMA: C'est La Mort | 3/14/1994 | See Source »

...Donnelly, Ann M. Simmons Rome: John Moody Istanbul: James Wilde Jerusalem: Lisa Beyer Cairo: Dean Fischer Beirut: Lara Marlowe Nairobi: Andrew Purvis Johannesburg: Scott MacLeod New Delhi: Jefferson Penberthy Beijing: Jaime A. FlorCruz Southeast Asia: William Dowell Tokyo: Edward W. Desmond, Kumiko Makihara Ottawa: Gavin Scott Latin America: Laura Lopez...

Author: /time Magazine | Title: Time Magazine Masthead | 3/14/1994 | See Source »

...work of Laura Dean opens the show rather demurely, with a lyrical dance by the corps to "Sometimes It Shoes in April." The first piece is very classical, not at all portending what is to come. In silver, softly flowing costumes the dancers move through posesand in and out of canon. Although visuallyattractive, the piece does not do justice to theemotional intensity of Prince's tender song offrustrated love, with such lines as, "All goodthings, they say, never last...

Author: By Clarissa A. Bonanno, | Title: Princely ballet | 3/10/1994 | See Source »

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