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...mother, the kind of woman who would fall for an alcoholic telephone man despite her "fastidious" tastes. This is a hard contrast to handle without making Amanda merely laughable. Another contrast is even more difficult. Amanda must be a nagging, tyranical mother, who tries to force her crippled daughter Laura to be a southern belle, who shouts continually at her son Tom and refuses to let him write poetry in the house. On the other hand, the audience must believe that Amanda loves her children deeply, that she is determined only that they avoid their parents' mistakes. When she tells...

Author: By John A. Rice, | Title: The Glass Menagerie | 4/22/1964 | See Source »

...praise Miss Field I am ignoring the fine performances of the rest of the company. Eunice Brandon, as Laura, handles her long scene with Jim O'Connor especially effectively. Her shyness slowly disappears, then returns as she makes the one human contact of her life and loses it. I wish only that she were a bit shier at the beginning of the play so that the transition to the scene with Jim would seem less abrupt...

Author: By John A. Rice, | Title: The Glass Menagerie | 4/22/1964 | See Source »

...Prathia Laura Ann Hall was in bad trouble. It was not just her modest misdemeanor - violating Georgia's antitrespass law during a motel sit-in. The 23-year-old Negro girl faced a far more formidable fate in the person of Judge Durwood T. Pye of Fulton County (Atlanta) Superior Court. Pye, the South's toughest judge in civil rights cases, set bail at a fantastic...

Author: /time Magazine | Title: The Bench: Shoofly Pye | 4/17/1964 | See Source »

...pianist who sprays his fingers across the keyboard, creating little patterns and half-completed ideas: somehow the bits and pieces fit together, Davidson's performance was remarkable. His quartet included Kent Carter, a brilliant bassist, and Michael Mantler, a trumpet player whose imprecise phrasing just cluttered things up. In Laura and Portrait of Anne, both Davidson compositions, piano and bass complemented each other well...

Author: By Hendrik Hertzberg, | Title: Quincy-Holmes Jazz Concert | 3/16/1964 | See Source »

...characterizations benefit from revealing gestures. They enhance Laura Esterman's fine performance as the minister's wife; she smooths her skirt self-consciously as she utters smug platitudes--and grasps her husband'; sleeve distractedly after falling in love with Dick Dudgeon...

Author: By Heather J. Dubrow, | Title: The Devil's Disciple | 2/7/1964 | See Source »

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