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...Glass Menagerie has nearly no plot (first the Gentleman Caller is awaited, then he is there, then he is gone); it is all futility and grief in a shabby-genteel apartment, where Amanda, a woman uprooted from her way of life, her daughter Laura, who knows nearly no one and fears everyone she does not know, and Laura's restless brother Tom, try to escape their cul-de-sac, and help one another out of it, in every way they can. Uniquely, perhaps, among Tennessee Williams' major works, this one has no dominating masculine figure to bring...

Author: By Julius Novick, | Title: The Glass Menagerie | 10/26/1959 | See Source »

About Miss Humphrey's Laura, with her amazing vocal resemblance to her mother and her triumphant avoidance of the nullity towards which the part so dangerously tends, I had better not say any more. Her brother Tom is played by Joel Crothers, who lapses at moments into the mere personableness of a movie juvenile lead; for the most part, however, he takes after the rest of his stage family and is admirable...

Author: By Julius Novick, | Title: The Glass Menagerie | 10/26/1959 | See Source »

Chicago's Findlay Galleries played host last week to the warm, simple and true pictures of the world's most distinguished woman painter, Dame Laura Knight. To a few, the pictures' heartfelt realism had that musty look of the faraway and long ago; visitors were hard put to assess them by contemporary-and so often geometric -standards. One critic noted that Dame Laura painted like a man. Said she in London when she heard of it, "What man?" Another called her a "popular painter," which roused her British ire the more: "Don't call me popular...

Author: /time Magazine | Title: Art: Grand Dame | 8/3/1959 | See Source »

...Dame Laura has seen plenty in her 81 years-and has put it all down with faithful brush and oil. As a teen-age orphan, Laura Knight took over her mother's art classes in Nottingham, blackening her toes so that the holes in her shoes would go unnoticed. At 25, she was living in Staithes, a fishing village on the Yorkshire coast, painting the grinding poverty and bold courage of North Sea fisherfolk. In her thirties and forties she was off traveling with the circus, camping with gypsies, setting up easels in the ring at Blackfriars, hanging over...

Author: /time Magazine | Title: Art: Grand Dame | 8/3/1959 | See Source »

...insists, adding, rightly, that she is "not a great painter." But, she says, "it's not for lack of darned hard work. I never had more money than I needed. I am thankful to have known the facts and struggles of a common life." Humility shines through Dame Laura's art-and so does humanity...

Author: /time Magazine | Title: Art: Grand Dame | 8/3/1959 | See Source »

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