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...Fine Arts Theatre has on exhibit in its outer lobby some twenty paintings done by Laura Mackay, a women whose talent and technical ability cannot be disputed. Her land and sea-scapes are reminiscent of paintings executed by certain she fall into the dangerous rut of auction room impressionism, a frailty common among many artists who are painting today. Her piece entitled "Pines And Snow," contains a definite Corot-ish tendency; and Miss Mackay has, perhaps unconsciously, adapted Corot's facility for painting early morning landscapes in her won subject matter with success...

Author: NO WRITER ATTRIBUTED | Title: Collections & Critiques | 3/11/1940 | See Source »

Birthday. Heiress Gloria Laura Morgan Vanderbilt, 16, onetime centre of a custody battle between Mother Gloria Morgan Vanderbilt, widow of Reginald Vanderbilt, and Aunt Gertrude Vanderbilt Whitney...

Author: /time Magazine | Title: Milestones, Feb. 26, 1940 | 2/26/1940 | See Source »

...Debutante Gloria Laura Morgan Vanderbilt, who will be 16 in February, Surrogate's Court allows $25,750 a year for personal expenses...

Author: /time Magazine | Title: People, Jan. 15, 1940 | 1/15/1940 | See Source »

...cinemillions had already unanimously voted that Clark Gable must play Rhett Butler. Selznick also bowed to them when he cast Olivia de Havilland as sweetish, big-eyed, thrushlike Melanie Hamilton, Leslie Howard as smooth, anemic, intellectual Ashley Wilkes, Laura Hope Crews as futile, flustered foolish Aunt Pittypat. Two of Selznick's minor castings were inspired: 1) Thomas Mitchell as old hard-riding Gerald O'Hara, who (after his mind is gone) by sheer power of pantomime dominates the scenes in which he has almost nothing to say or do; 2) colored Cinemactress Hattie McDaniel, who comes from Kansas...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...most dramatic portrait is that of Olympias, wife of lusty, roughneck Philip II, mother of psychopathic Alexander the Great. Her sinister and violent career has always given historians the creeps. But no historian has shown so shrewd an insight into her character as Laura Riding. She poses a daring speculation: Was Olympias perhaps a noble woman embittered and corrupted by her coarsely disappointing husband? Likewise the career of Cleopatra becomes a seductive peg on which to hang the thesis that women are pretty much what men make them...

Author: /time Magazine | Title: Books: In Man's Image | 9/11/1939 | See Source »

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