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Although Roth deliberately focuses on male relationships, his incidental portrayal of women is suspicious. Cyd (Kathryn Harold), Blue's five-year live-in who abandons him for another painter; Candy (the late Carole Wayne), the voluptuous "submissive" S & M model for Blue's Fiorucci-style erotic paintings, and Liliane (Carole...

Author: By Susan Morris, | Title: Best Rivals | 5/3/1985 | See Source »

François, however, makes all sorts of connections, most of them erroneous. When he spots the aviator leaving her apartment early one morning, he mistakenly assumes that it is after a night of revels and decides to follow him. Sure enough, his quarry picks up another woman, and Fran...

Author: /time Magazine | Title: Cinema: Wry Sigh | 10/12/1981 | See Source »

Bertrand Blier, 39, is best known for Going Places, a fiercely scatological comedy that was widely and unjustly reviled as misogynistic when it appeared in 1974. Handkerchiefs may provoke a similar response from literal-minded viewers. Like Going Places, it focuses on two libidinous buddies (again played by Gé...

Author: /time Magazine | Title: Cinema: New Frontiers | 1/15/1979 | See Source »

Sweet Movie has no pretenses at plot, although it does make an attempt to chart the smarmy adventures of a certain Miss World 1984 (played by a lovely Canadian actress called Carole Laure). Future chroniclers of the humiliations inflicted on women in the cinema will find prime source material in...

Author: /time Magazine | Title: Cinema: Pleading Insanity | 11/3/1975 | See Source »

Salon Savants. If, as his critics maintain, the gossip implies that the President may be a bit too indolent in office, it also suggests that he is indefatigable outside it. Since the family has remained at Giscard's old house at 11 Rue de Benouville, while he sleeps most...

Author: /time Magazine | Title: FRANCE: Giscard: The Paris Parlor Game | 12/23/1974 | See Source »

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