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...expected, Yves Saint Laurent and Christian Dior's Marc Bohan shared center stage in presenting haute couture to the class of '78. Their message was wel come to those grown weary of gypsy dresses and the theatrical costuming that has flavored European fashion for the past three seasons. The feminine form is back, in clothes that are clean-lined, uncluttered, soft and supple. Today's couture, said Bohan, "is a return to simplicity...

Author: /time Magazine | Title: Living: It's Springtime in Paris | 2/6/1978 | See Source »

...multicolor batwing evening dress. From Lanvin came a sheer-topped gown with delicate pastel embroidery, and from Courrèges, a skirt and blouse combination laden with ruffles. For most of high fashion's critics, clients, and trend watchers, the week's main feature was the Saint Laurent collection. Paris' No. 1 designer, who launched the costume revolution with his Russian, gypsy, Cossack fashions of 1976, had presaged a return to modernity with his ready-to-wear show last October. "There is no more revolution," observed Madame Ida, the maestro's longtime aide. "This is evolution...

Author: /time Magazine | Title: Living: It's Springtime in Paris | 2/6/1978 | See Source »

...Saint Laurent's new diaphanous chiffon dresses, often edged in ruffles, left no doubt about the feminine silhouette within. "They are much more feminine and easy to wear than the wide, stiff taffeta gowns of the earlier collections," proclaimed Marie-Hélène de Rothschild, of his $2,000-to-$7,500 designs...

Author: /time Magazine | Title: Living: It's Springtime in Paris | 2/6/1978 | See Source »

...show, most of Rykiel's line did not rely on shock value but on the fact that her clothes were imaginative, brilliantly colored and practical. She is the most womanly of designers, who recognizes that "every woman must create her own ambience; it is not I or Yves St. Laurent but the woman who has to create herself and be a unique person." She adds: "I make my clothes for real, living women of our times?not movie stars ?who have to be with children, and men, and go to lunches, receptions, bistros, dinners at Maxim's and business...

Author: /time Magazine | Title: Living: Put-Ons, Take-Offs and Dress-Ups | 11/7/1977 | See Source »

...Reggie Jackson of Paris was Yves St. Laurent, who once again batted homers all the way to Bloomingdale's, Benders and Bergdorf s. But it was a markedly different Yves. Said he: "I have found a new form of simplicity." Turning his back on Cossacks and gypsies, he drew his inspiration from "the streets of New York." One YSL eyecatcher: a tricolored cotton shirt worn with sailcloth pants. His ready-to-wear clothes were modern, young and?with one or two see-through and derriere-baring exceptions?eminently wearable on Manhattan's avenues. That?if not his prices...

Author: /time Magazine | Title: Living: Put-Ons, Take-Offs and Dress-Ups | 11/7/1977 | See Source »

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