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...much as any designer today, Kelly blurs the line between fashion and show biz. "I think of myself as a black male Lucille Ball," he says. "I like making people laugh." Indeed, can one imagine the reclusive Yves Saint Laurent skateboarding a la Kelly through Paris' seedier neighborhoods? Picture crusty Karl Lagerfeld nude from the waist up, posing for Vanity Fair, with red buttons over his nipples and 16 satin bows on his pigtails? Such antics have charmed the powerful French fashion press. "Le mignon petit noir Americain," enthused one Paris newspaper -- although in America being called a cute little...

Author: /time Magazine | Title: An Original American In Paris: PATRICK KELLY | 4/3/1989 | See Source »

...came on with a rush of fresh talent: dazzling designers (like the Missonis), some fine hands (like Gianfranco Ferre) and some naughty boys (like Gianni Versace). But, in Armani, it produced just a | single world beater. Paris, on the other hand, can still offer a wider spectrum: sumptuous Saint Laurent, engaging Lagerfeld, generative Miyake, fast-flash Gaultier, ebullient Patrick Kelly. As ever, it is center stage, the arena on which designers want most to play, especially if they are coming on (like Gigli) or consolidating (like Valentino...

Author: /time Magazine | Title: Living: Fashion Without Frontiers | 3/20/1989 | See Source »

...target of all this firepower was Pierre Berge, 58, the autocratic president of the $400 million-a-year Yves Saint Laurent fashion empire and the designer's companion of 30 years. Some said Berge's chief qualification to be head of the governing Association of Theaters of the Paris Opera was that he had contributed handsomely to Mitterrand's re-election campaign last year...

Author: /time Magazine | Title: Music: Second Storming of the Bastille | 1/30/1989 | See Source »

Berge also complained that Barenboim would be spending only a minimal four months a year at the Bastille. The conductor claimed he would spend at least seven months there and wondered aloud how much time Berge was planning to take off from Saint Laurent to work on opera. "When he refused to accept my conditions," Berge declared, "we broke off negotiations. I cannot let the money of the state be spent in so extravagant a fashion." And he did not like Barenboim's slurs, either. "I am not the head of any old couture house," he said. "I built...

Author: /time Magazine | Title: Music: Second Storming of the Bastille | 1/30/1989 | See Source »

Born Sybilla Sorondo in New York City, she worked for a year in Paris at Yves Saint Laurent as a seamstress, getting down her technique but drawing inspiration from the streets of Spain, where she grew up. She showed her first collection in Madrid in 1983, a "100% idealistic period, when I only did dresses for people who came to me." By 1984, however, she was selling her designs to other shops, and in three years she was producing more than her Spanish manufacturer could handle. She switched to GIBO, and although she admits, "I'm always terrified of losing...

Author: /time Magazine | Title: Living: A Look on the Wild Side | 1/16/1989 | See Source »

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