Word: lauri
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Dates: during 1930-1939
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...injection rallied Pius XI for the saS and solemn ministrations reserved, by centuries of tradition, for the last moments of a Pope. To Lorenzo Cardinal Lauri, Grand Penitentiary of the Holy Roman Church, Pius XI, propped up by pillows, whispered his confession, received absolution for his sins. Then attendants washed the Pope's face, hands and feet for their anointing in the last rite: extreme unction. The Monsignor Sacristan, Alfonso de Romanis, parish priest of the Vatican, sprinkled the still room and its grave company with holy water. "Thou shalt sprinkle me with hyssop, 0 Lord, and I shall...
...Camerlengo (Chamberlain) of the Holy Roman Church, was given the Ring of the Fisherman from the Pope's finger. Placed in a red silk bag, the ring was later broken, as symbol that there was an interregnum in the affairs of the Church. Aside from Cardinal Penitentiary Lauri, in charge of the Pope's funeral, and Camerlengo Pacelli, administrator of the Church and head of the approaching conclave of Cardinals, all papal offices and appointments technically lapsed after the death of Pius XI. All the Cardinals, even the Penitentiary and the Camerlengo, at once doffed the distinguishing mark...
...Cooper took first in the 100 backstroke in the lethargic time of 1:21.4, taking also a second in the medley. Yardling Coach Lauri Petersen declared himself well satisfied with the results...
...Italian-style tenors have always been a scarce commodity, and for the past two decades they have been growing scarcer & scarcer. Opera impresarios count on the fingers of one hand (Gigli, Lauri-Volpi, Borgioli, Schipa . . .) the lusty high-voiced Latins still capable of raising even moderate-sized rafters on either side of the Atlantic. Since the death of Enrico Caruso (1921), tenor departments of U. S. opera-houses have shown a steady decline. Today their audiences count it a privilege to hear their "Ridi Pagliaccios" and "La donna e mobiles" sung by anything bigger than a microphone voice...
...opened last June its temporada grande (big season), which corresponds both in climate and in social brilliance with the winter seasons of U. S. operas. On its two greatest drawing cards the Colon could not retrench; immediately after the successful 1931 season it had signed contracts with Tenor Giacomo Lauri-Volpi and Coloratura Soprano Lily Pons. But there was no cause for regret. When Lauri-Volpi departed last month he flung exuberantly to the Argentine internal loan fund 50,000 pesos ($12,500), half of his season fee. Pretty Lily Pons got more: $27,000 for the season. Her Lucia...