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...ardent music lover, Blacksmith Lynch was also hard at work on another sword to present to Tenor Lauritz Melchior for his 100th performance as Siegfried this week...

Author: /time Magazine | Title: Art: Swordsmith | 2/25/1935 | See Source »

...contest is held to determine which of the singing citizens of Nuremberg is most worthy of Eva, daughter of Pogner, rich goldsmith who heads the local guild of mastersingers. In Manhattan's Knabe Hall one afternoon last week 200 New Yorkers attended a similar contest sponsored by Tenor Lauritz Melchior and Berthold Neuer of Wm. Knabe & Co. to discover a native "heroic tenor.''* At first it looked like another publicity stunt. Knabe Co., purveyor of pianos to the Metropolitan Opera, offered a prize of a Baby Grand. Melchior, the Met's foremost Wagnerian tenor, announced...

Author: /time Magazine | Title: Music: Tenor Hunt | 4/9/1934 | See Source »

Lily Pons drank from a nursing bottle, Rosa Ponselle rode a bicycle, big Lauritz Melchior, forgetting he was the world's greatest Wagnerian tenor, dressed up like Salome with painted toenails. Because the Metropolitan Opera Company is again desperately hard up it was giving its third Opera Surprise Party. New Yorkers paid $14,000 and laughed three hours to see the expensive singers without wigs or dignity...

Author: /time Magazine | Title: Music: Progress Party | 3/19/1934 | See Source »

Reasons for the growing interest in Wagner are the contingent of excellent German artists now at the Met; the Company's acquisition last year of Soprano Frida Leider, Contralto Maria Olszewska and Basso Ludwig Hofmann; the improvement of Tenor Lauritz Melchior since Conductor Arturo Toscanini rehearsed him in Bayreuth summer before last; the quickened inspiration of Conductor Artur Bodanzky. During the War New York preferred to do without German opera. It took the conservative Met a good ten years to build up its German wing to something like pre-War strength. During that time a new generation of Wagner...

Author: /time Magazine | Title: Music: The Ring | 2/12/1934 | See Source »

Tenor Paul Althouse, a Pennsylvanian like Thomas, looked better in a bearskin than Tenor Lauritz Melchior who usually sings Siegmund. And he sang the taxing music every bit as well. Twelve years ago critics used to find fault with Althouse's bleating but now, at 44, his voice is perfectly controlled, rich with color. Thoroughly exciting was the scene where he pulls Wotan's sword out of the ash tree. He jumped up on the table, grasped the hilt firmly, steadied himself and gave a mighty jerk that was felt throughout the audience...

Author: /time Magazine | Title: Music: Debut and Homecoming | 2/12/1934 | See Source »

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