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Word: lautrecs (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...even the deadly slow stretches are redeemed by Cameraman Henri Decae, whose breathtakingly sophisticated photography is a show in itself, imperceptibly shaded as the action moves from lush Rousseau tropics to the cabaret scenes that exude a smoky golden haze in which Moreau and Bardot appear like creatures of Lautrec or Degas, ineffably alluring...

Author: /time Magazine | Title: Cinema: Carnival in Brio | 12/31/1965 | See Source »

...laundries, bookstores and record shops in nearby Telegraph Avenue's grimy red brick buildings. One frequent stopping place is a shoestore called Sandals Unlimited; another is a self-service laundry where the machines, arranged in pairs, bear student-humor names: Tristan and Isolde, Godliness and Cleanliness, Toulouse and Lautrec, Dun and Bradstreet, Anthony and Cleopatra...

Author: /time Magazine | Title: Universities: The Womb-Clingers | 6/25/1965 | See Source »

...herself in a dazzling variety of civic ventures. She makes her headquarters in a narrow, 71-story town house on Manhattan's fashionable Beekman Place. White, even to the furniture and the rugs on the floor, is the background -her paintings. There is a Monet a Picasso, a Lautrec. Five Matisses hang in the dining room; Van Gogh's Zouave over the living room couch faces a Renoir girl in a boat over the fireplace...

Author: /time Magazine | Title: Women: The Beautifier | 6/4/1965 | See Source »

Despite serious shortcomings, Circle of Love is worth seeing if only for its breathtaking color decor. The camera wizardry of Henri Decae produces acres of gauzy portraiture, plus one exquisite vignette in the style of Lautrec, and nearly always the film glows in a red, green and golden wash of art-nouveau elegance. Against such sumptuousness, Vadim's elementary lechery seems to be the only thing out of place...

Author: /time Magazine | Title: Cinema: Roger & Over | 4/9/1965 | See Source »

Duchamp was clearly cut out to be an intellectual in the realm of art. As a young man, he experimented with painting in the manner of Toulouse-Lautrec, the Fauves, and even the cubists, only to abandon each. He rejected the romantic concept of the artist in smudgy smock and flowing cravat, abhorred the veneration of art given to official "masterpieces," decided that "oil painting is old hat and should be discarded forever." As the naturalists of Courbet's day had proved that anything could be a subject for art, Duchamp set out to prove that art could...

Author: /time Magazine | Title: Artists: Pop's Dado | 2/5/1965 | See Source »

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