Search Details

Word: lautrecs (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...point is not that Picasso, as an art student in Barcelona and, after the autumn of 1900, a young artist in Paris, was markedly better at imitating Steinlen or Toulouse-Lautrec than other Spanish artists were, but that he could run through the influences so quickly, with such nimble digestion. What he needed, he kept. He had no use for the tendril-like, decorative line of Spanish art nouveau, for instance, but he retained its liking for large, silhouetted masses, and they, grafted onto the pervasive influence of Toulouse-Lautrec, keep appearing in his Parisian cabaret scenes of 1901. Some...

Author: /time Magazine | Title: The Show of Shows | 5/26/1980 | See Source »

What a life Misia Sert lived! Fauré gave her piano lessons. Ravel dedicated La Valse to her. Stravinsky presented her with the score of Le Sucre du Printemps. Diaghilev made her his ally; she was the only woman with whom he could feel intimate. Toulouse-Lautrec, Bonnard, Vuillard, Renoir, Vallotton painted her, sometimes obsessively. Cocteau modeled the heroine of his novel Thomas l'lmposteur on her. In the masterly hands of Proust she became two people, Princess Yourbeletieff, the young sponsor of the Ballets Russes: "One might have supposed that this marvelous creature had been imported in their...

Author: /time Magazine | Title: Books: Angel of the Arts | 2/25/1980 | See Source »

...Parisian society, each hostess had a set reception day; Misia held open house every day in the week. She threw everything away except jewels. Drawings made by Lautrec at the dinner table were cleared away with the rest of the leavings. Her motto was, "I don't respect art; Move it." Gold and Fizdale print a lengthy honor role of sources for Misia, but their task would have been easier and clearer if she had not discarded thousands of letters. Or it may be that being forced at times to speculate and use the memoirs of others has enhanced...

Author: /time Magazine | Title: Books: Angel of the Arts | 2/25/1980 | See Source »

...objective reporter is there simply to record a scene Toulouse-Lautrec would have loved: all the basic human themes in full display-vanity, lust, decadence, hope, pride, grace, rare flashes of transcendence. Feeling fat, frayed and fortyish, the reporter is placed inside a full-length Black Willow mink coat. She becomes tall, thin, "interesting" (instead of "past her prime") and, best of all, totally invulnerable. The cost is $6,950, marked down from $10,000 by Forrest, retailing for $20,000 and up. Suddenly, $6,950 doesn't seem unreasonable-considering that life is short, etc. Considering too that...

Author: /time Magazine | Title: In Manhattan: Mink Is No Four-Letter Word | 2/18/1980 | See Source »

...Animation. Its creator, Yugoslavian (Zagreb) Zdenko Gasparovic, fills the screen for 15 minutes with images drawn from the music of composer Erik Satie. Beginning with a bevy of streetwalkers, the film progresses to a vibrantly red evocation of early 19th century Paris, a world seamier even than Toulouse-Lautrec's. Here prostitutes bite men's heads off, delicately remove their clothing, and loll sexily on plush pillows...

Author: By David Frankel, | Title: Animated Characters | 1/31/1980 | See Source »

Previous | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | Next