Word: lautrecs
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...1880s and 1890s, the petite ex-trapeze artist named Marie-Clémentine Valadon would have remained a fascinating creature. Her striking features, intense blue eyes and mocking impudence attracted most of the painters of her youth, from Puvis de Chavannes to Renoir, Degas, Van Gogh and Toulouse-Lautrec. But because Marie-Clémentine gave birth to Maurice Utrillo, one of the century's most successful, eccentric and curiously talented painters, her fame as model and mother has largely obscured another passion she fiercely nourished: to be an artist in her own right...
...slim figure and natural grace, he made her the model for all the figures (both male and female) in his most celebrated painting, The Sacred Wood. Other assignments soon followed. Auguste Renoir used her as the model for his contrasting pictures, Country Dance and City Dance. Toulouse-Lautrec's drawing of her, Gueule de Bois (The Hangover), so attracted Van Gogh that he wrote his brother, eagerly inquiring: "Has De Lautrec finished his picture of the woman leaning on her elbows on a little table...
Renoir was the first to discover his model's secret. When Suzanne failed to show up for a sitting one day, Renoir went to her room. Finding her drawing a self-portrait in pastels, Renoir exclaimed in astonishment: "You, too?" Lautrec also praised her work, saw to it that she met the great, testy French master, Edgar Degas, who had seen her as an acrobat at Place Pigalle's Molier Circus before a bad fall finished her brief career. Degas in turn was delighted. Said he: "You are one of us." Recalled Suzanne, years later: "That...
...England, was clearly not his mother. The Queen herself comes out of Pearl's researches unscathed (save for a regal tendency, noted by Gladstone, to spike her claret with whisky). But Edward VII, her son and heir, was such a celebrated patron of the tarts that La Goulue (Lautrec's model) would call out at the Jardin de Paris: "Allo, Wales! Est-ce-que tu vas payer man champagne...
Gauguin, selling his paintings to pay the passage, turned his proud-beaked head toward Tahiti and the unknown future. Toulouse-Lautrec, grown famous for his paintings peopled with characters from Parisian cafés and brothels, remained a staunch defender of Van Gogh until his own death eleven years later...