Word: lautrecs
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ALTHOUGH the baffling, dedicated, often tormented painters of the late 19th century have inspired one Hollywood opus after another, the celluloid vision has proved no more revealing than the dated contemporary photographs. This month at Chicago's Art Institute, a traveling exhibition of Toulouse-Lautrec will offer a fresh look at that tempestuous age, peopled by the foppish, witty, dwarf-legged chronicler of Montmartre and his painter friends Paul Gauguin and Vincent van Gogh. There, done with quick, sure strokes, is the record not only of what Toulouse-Lautrec saw as he grappled with the living instant...
...favorite Paris haunts were the bars of Montmartre, the paint shop of Père Tanguy, and the mezzanine of Goupil's Gallery, which modest Dutch Art Dealer Theo van Gogh had turned into a boisterous rendezvous for the despised impressionists. There congregated the unbought painters, including Toulouse-Lautrec, then 23, and swashbuckling Paul Gauguin, 39, the onetime stockbroker who was now a full-fiedged painter just back from Panama and Martinique, roaring with contempt as he shook his carved cane like a fencing master before the academic Beaux Arts paintings hanging on the walls about them. Among them...
...Toulouse-Lautrec, a count's son gone bohemian, could confess to the dance-hall Chanteuse Yvette Guilbert: "Everywhere and always ugliness has its beautiful aspects; it is thrilling to discover them where nobody else has noticed them." But from his own ugliness. Toulouse-Lautrec turned away, preferring to caricature it outlandishly to make his friends laugh harder. He could not resist telling Vincent van Gogh, who struck most men on sight as physically unattractive, where to get his rotting teeth fixed. But his pastel portrait of Van Gogh shows a warmer, more searching glance. In reply, Van Gogh humbly...
Died. Maurice Utrillo, 71, famed French painter of Paris street scenes and landscapes; of pneumonia; in Dax, France. Born in Montmartre, Utrillo was the bastard son of talented, scatterbrained Suzanne Valadon, who had worked as a circus acrobat, a model for Toulouse-Lautrec and Renoir, and was later a top painter herself. An heir to the worst ills of bohemianism (legend has it that he was fathered by Renoir, Degas, or an alcoholic paint dauber named Boissy), Utrillo drank absinthe in his teens, was an alcoholic at 18, began painting in 1902 at the behest of his mother to keep...
...turned his sketches into a flood of prints showing the nation's famed views, stopping places, bridges, rivers and fairs in all kinds of weather. Bales of Hiroshige's prints found their way to Europe, did as much as anything to spark modern painting. Manet, Degas, Lautrec and Van Gogh all learned from Ukiyo-e art. But after Hiroshige's death in 1858, the art itself descended permanently to a postcard level...