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Through summer 1995. "Selections from the Joseph H. Hazen Collection." This exhibition offers viewers a rare opportunity to view privately owned works by some of the great masters of the late 19th and early 20th centuries. Included are works by Braque, Van Gogh, Kandinsky, Modigliani, Leger, Picasso, and Toulouse-Lautrec...

Author: NO WRITER ATTRIBUTED | Title: At Harvard | 3/2/1995 | See Source »

Through summer. "Selections from the Joseph H. Hazen Collection." This exhibition offers viewers a rare opportunity to view privately owned works by some of the great masters of the late 19th and early 20th centuries. Included are works by Braque, van Gogh, Knadinsky, Modigliani, Leger, Picasso and Toulouse-Lautrec...

Author: By Kelly T. Yee, | Title: at harvard | 2/23/1995 | See Source »

Through summer 1995. "Selections from the Joseph H. Hazen Collection." This exhibition offers viewers a rare opportunity to view privately owned works by some of the great masters of the late 19th and early 29th centuries. Included are works by Braque, van Gogh, Kandinksky, Modigliani, Leger, Picasso and Toulouse-Lautrec...

Author: By Kelly T. Yee, | Title: at harvard | 2/16/1995 | See Source »

...infusing them with his own heritage. For example, The Races at Auteull is a creamy confection of Impressionistic and post-Impressionistic techniques. Painted in 1901, around the time when he first moved to Paris, the bright palette of yellows and greens can be likened to the hues of Toulouse-Lautrec's works. In some places, the brushwork is feathery like Renoir's; in other places, it is more deliberate and thick like Van Gogh's. There are three pairs of women twirling about one another, their shapes congealing and dissolving. The trails of their dresses look like mermaid's tails...

Author: By Marco M. Spino, | Title: Hazen Collection Creates Impression | 12/1/1994 | See Source »

...exhibit, not all of the women are garish creatures. Toulouse-Lautrec's Absinthe Drinker may be a prostitute, but she possesses a maternal modesty conveyed by her relaxed posture, unassuming clothes and coloring in tonal browns. She's not a redhead, as are many of Toulouse-Lautrec's women, nor does she look embalmed and fluorescent as the harsh lighting of the Moulin Rouge was apt to render its drunk habituees. Absinthe Drinker is a refreshing contrast to Toulouse-Lautrec's unflattering portraits. But here again, the work is not psychologically revealing, because the woman is shown in profile...

Author: By Marco M. Spino, | Title: Hazen Collection Creates Impression | 12/1/1994 | See Source »

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