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Sometimes the best and most lavish show on Broadway is some 15 blocks north of the theater district, at the Metropolitan Opera House. It is one of the few places in the world that can offer truly grand productions of an art that thrives on bravura and artifice. This season the Met has two such extravaganzas, new productions of Puccini's Madama Butterfly and Verdi's Simon Boccanegra. Both look real enough to step into. Butterfly's fragile cottage is guarded by a line of sentinel iris standing in an authentic Japanese garden. The walls and ceiling of the doge...

Author: /time Magazine | Title: OPERATIC ARTISTOCRACY | 2/20/1995 | See Source »

Sometimes the best and most lavish show on Broadway is some 15 blocks north of the theater district, at the Metropolitan Opera House. It is one of the few places in the world that can offer truly grand productions of an art that thrives on bravura and artifice. This season the Met has two such extravaganzas, new productions of Puccini's Madama Butterfly and Verdi's Simon Boccanegra. Both look real enough to step into. Butterfly's fragile cottage is guarded by a line of sentinel iris standing in an authentic Japanese garden. The walls and ceiling of the doge...

Author: /time Magazine | Title: OPERATIC ARISTOCRACY | 2/6/1995 | See Source »

...themselves to preserving and documenting "the sounds of the great vintage guitars and mandolins." To that end, they each play 17 instruments, one for each of the album's tracks, with Rice on guitar and Grisman on mandolin. The care and affection for these instruments is evident in the lavish forty-page liner notes insert. Replete with more than 100 photographs, it is a mini-documentary on the craftsmanship and evolution of string instrument-manufacturing in this country. But all of this devotion takes the focus away from the music. Though both of these men are masters of their instruments...

Author: By James B. Loeffler, | Title: Tone Poems Lacks Expressiveness | 12/15/1994 | See Source »

...been said that with that little book, Dickens invented Christmas -- the holiday as we know it, with lavish presents and greeting cards, with liberal sentiment and family gatherings, and with the spirit of generosity helping to stanch the guilty suspicion that we hadn't been charitable enough on the other 364 days. Shopkeepers and toymakers can thank Dickens; put-upon parents can blame him, though the commercial excesses perpetrated in the name of Christmas were the last thing this radical social reformer had in mind...

Author: /time Magazine | Title: I Like New York in Yule | 12/12/1994 | See Source »

...little of Dickens' furious humanism surfaces in the most lavish Christmas Carol on display this month in New York. This is the $12 million musical version playing at Madison Square Garden's Paramount theater with its 5,200 seats. The huge stage is dense with the crippled, the homeless, the starving -- and, in this morass of need, one man, Scrooge (Walter Charles), railing against those who would help them. "Are there no prisons? Are there no workhouses?" Add an "Are there no orphanages?" and you have the agenda of the next Speaker of the House...

Author: /time Magazine | Title: I Like New York in Yule | 12/12/1994 | See Source »

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