Word: lavishness
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...Beebe's enterprises grew, he reveled in the trappings. He acquired a nine-passenger Hawker Siddeley jet to carry business associates on golfing trips. He took clients duck hunting in the Louisiana marshes on a lavish two- story barge. In Shreveport, he built a $1 million home for his family, as well as a gleaming seven-story office building...
...Lawrence was the ultimate epic -- cinema at the apex of its ambition and intelligence. Lavish in visual beauty, the film also boasts economy of style: it knows how much can be shown in a shot, how much can be said in a few words. But the picture was a harbinger too. If Lawrence was the last colonial God-man, he was also the movie epic's first moody hero, father to countless sacred screen madmen. And in the picture's political wrangling and massacre scenes, we see hints of American history in the late '60s and American movies today...
...Santa Monica, Calif., turns out the most formidable disc library. Its version of Orson Welles' masterpiece The Magnificent Ambersons contains, among other items, the entire shooting script, a full set of storyboards, and stills of crucial scenes deleted by the studio. The Criterion edition of Blade Runner has a lavish set of designs by "visual futurist" Syd Mead; the disc of 2001 was personally . overseen by Stanley Kubrick and includes almost a thousand pages of essays and production memos. "We're a significant part of an as yet insignificant business," says Voyager co-founder Robert Stein. But other companies...
Voyager has always been scrupulous about releasing wide-screen films in "letter-box" format (masking the top and bottom of the screen to duplicate the breadth of the theatrical image), and this idea too is catching on. MGM is marketing lavish wide-screen editions of Doctor Zhivago and Ben- Hur, and 20th Century Fox will put out the Star Wars trilogy, as well as the recent smash Die Hard, in the full-frame format. Even E.T. was letter- boxed on disc, and Spielberg's earlier 1941, when it arrives on disc this summer, will be in wide screen and contain...
Infuse a 1940s Harlem nightclub act with a Busby Berkeley film's lavish budget, elbow room and staging style, restrain the raunch and remove the racial bitterness. The result: Black and Blue, the sumptuously spectacular $5 million revue that opened last week on Broadway. If Fred and Ginger had been black and still able to live in that elegant fantasy world, their shows might have looked a lot like this: rows of tap dancers in tailcoats or scarlet evening gowns; vast sets like lacquered jewel boxes gliding across the floor and opening to reveal a kick line; a singer...