Word: lawler
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Dates: during 2000-2009
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Luckily (as lucky as things can be under the circumstances), the camera contained no tapes when it was stolen, so none of the recently-shot Angel Walk was lost. Lawler continues postproduction on it, since in the time between cameras it is the only project on which substantial progress can be made...
...cast and crew worked for four days on the Cape shooting the film, almost 20 hours each day. “You can’t be going to school and doing that,” says Lawler. One of the SAG members, Carolyn, was playing the part of a mother grieving for the death of her child. “She was great,” says Lawler. In order to prepare for the role, Carol shorted herself on food and sleep, dyed her hair and read several books on the psychology of losing a child...
...spite of the difficulties of shooting the script, Lawler was overjoyed to finally be finishing his dream. “It’s like having an orgasm for six days,” he says. “I just...I love doing it.” He looks forward eagerly to The Great Givendi, his next fiction film, to be shot over the summer. He is being joined on this project by Catherine Sheehan, the co-writer and producer of Givendi, and Julia Reischel, who is doing the casting for the film...
This summer, Lawler and Catherine Sheehan, one of the other producers in the club, are going to be shooting their screenplay of The Great Givendi, probably at the end of August. Newkirk will also be in Cambridge this summer, and hopes to shoot a short screenplay...
...future of the club, Newkirk and Lawler envision something more communitarian in nature, whereby projects would all be submitted to a central board and then voted on. As it is now, the club is still in a transitional process, as evidenced by the last item on its constitution, which makes the proviso that “Given that this club is new, and similar clubs have failed for organizational problems, the anatomy of the club may be completely reworked to improve efficiency.” Newkirk amplifies the concerns. “That’s where we think...