Word: lawns
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...final dash, the escapee must cross the new version of the old Death Strip. This is now, variously, a 100-ft. lawn or a cinder covering, where powerful mercury-vapor lamps make even the most fleeting figure an easy target at night. In some places, there is the added hazard of hidden 6-in. steel spikes. In the unlikely event that he gets this far, the escapee finds himself before the New Wall itself. It is not only smoother and higher (15 ft. v. 9-12 ft.) than its predecessor but is topped by a 15-in.-wide pipe that...
...football, spending countless Sunday afternoons in front of his TV and eventually making Johnny Unitas a figure for the poet's craft. Once, while a house guest, he lost a croquet game to some children, and his hostess detected him at 5 a.m. the next morning on the front lawn, rearranging the wickets...
...never met Hoffer, and nobody had heard him mention his name, but the reason for his sudden enthu siasm was clear. During a TV interview last month, Hoffer predicted L.B.J. would be "the foremost President of the 20th century." Wasting no time, Johnson brought Hoffer to the South Lawn of the White House last week for a chat. "The Trumans and the John sons get things done," Hoffer was overheard assuring the President at one point. "Don't worry about the polls," he said at another. The two toasted each other in Fresca, which Johnson calls "Fresco," then posed...
...Lost." If for no other reason, Sullivan seems to have endured simply because he is such a fertile subject for mimicry. Comics who have played the show liken him to "a greeter at Forest Lawn cemetery," crack that "he is one of the few men who can light up a room-just by leaving it." Perhaps the most telling quip about Sullivan's secret of screen longevity came from Fred Allen: "He will last as long as someone else has talent." To Sullivan, there is no mystery. "I am," he says matter-of-factly, "the best damned showman...
...fulfillment for themselves but for the frustrated desire of the society from which they have escaped. Early in the film, Clyde lends his revolver to an old farmer, who takes revenge on the bank that has repossesed his house by shooting up the sign they have placed on his lawn. It is the act of shooting, not its effect, that gives Bonnie and Clyde their stature. Both they and their admirers are curiously blind to the impact of the slaughter they inflict...