Word: layabouts
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Dates: during 1960-1969
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...actor, Germi creditably plays Andrea-a rough-handed father, a celebrated drinker and singer of songs at his favorite café, and a hell of an engineer. But at 50, Andrea's self-centered world begins to go off the track. His grown son is a layabout who seems more interested in petty rackets than honest work. His daughter (Sylva Koscina), already embittered at having been forced to marry the store clerk who seduced her, has a stillborn child. While Andrea is brooding about that misfortune his train runs down a suicide. Afterward, the engineer takes a few drinks...
...richly varied, stylishly photographed settings that effuse the florid flavor of the period, the writing-directing team of Festa Campanile and Massimo Franciosa brings to the foreground an impoverished layabout named Meo (Paolo Ferrari). Meo bungles his way into the Vatican vocal conservatory that separates the boys from the men, bribes the surgeon not to operate on him, but somehow manages to retain a passable falsetto. Later favored by the nobility, the false capon cuckolds his patrons. He reveals his secret to one elegant lady (Anouk Aimée) while he helps her undress. Another (Barbara Steele) learns the truth...
...year-old, pot bellied, wife-beating little layabout. His floppy cap not only hides his eyes but never comes off - either in bed or on his rare visits to the tub. A cigarette is permanently glued to his lip. His bulbous nose glows whenever he has a snootful, which is nearly every night. He has no discernible trade and lives on the dole as if he had earned it. He is selfish, improvident, coarse, arrogant and bullying. "Don't stand out there in the cold, lass," he says to his sister-in-law, come to pay a visit. "Buzz...